Figures & data
Figure 1. Casa de la Memoria Museum building facade. Photographer: Sergio Gomez, personal archive, 2017.
![Figure 1. Casa de la Memoria Museum building facade. Photographer: Sergio Gomez, personal archive, 2017.](/cms/asset/e2de85e4-0e82-4b85-86ee-abae6f62b2e1/ymsi_a_2143757_f0001_oc.jpg)
Figure 2. Main entrance of Casa de la Memoria Museum in Medellín, Colombia. Photographer: Adriana Valderrama, personal archive, 2017.
![Figure 2. Main entrance of Casa de la Memoria Museum in Medellín, Colombia. Photographer: Adriana Valderrama, personal archive, 2017.](/cms/asset/a0a72b40-d015-4fc1-8223-0f6f55d64e05/ymsi_a_2143757_f0002_oc.jpg)
Figures 3-6. Cuerpos de Sentido (Body of Sense) display. Table with 6 rotating rings and 6 reading positions, which correspond to 6 simultaneous conversations. These conversations were given through the testimonies of the participants in the laboratories and the interviews. Photographer: Adriana Valderrama, personal archive, 2017.
![Figures 3-6. Cuerpos de Sentido (Body of Sense) display. Table with 6 rotating rings and 6 reading positions, which correspond to 6 simultaneous conversations. These conversations were given through the testimonies of the participants in the laboratories and the interviews. Photographer: Adriana Valderrama, personal archive, 2017.](/cms/asset/4460faea-6ed4-4b00-abfd-984971d27f89/ymsi_a_2143757_f0003_ob.jpg)
Figure 9. Casa de la Memoria Museum building facade. Photographer: Sergio Gómez, personal archive, 2017.
![Figure 9. Casa de la Memoria Museum building facade. Photographer: Sergio Gómez, personal archive, 2017.](/cms/asset/f1d4522d-5673-42a2-9cca-0ca769cfd9f9/ymsi_a_2143757_f0009_oc.jpg)
Figure 10. El Rio. Three-channel video projected on a continuous screen on the wall, in the central hall of Casa de la Memoria Museum. A stretch of the Medellín River in Barbosa, the water flows from right to left. “The river has become a depository of bodies; it detaches them from the place where the event takes place. Floating bodies that mark the landscape because those in the depths can no longer be seen”. Photographer: Sergio Gómez, personal archive, 2016.
![Figure 10. El Rio. Three-channel video projected on a continuous screen on the wall, in the central hall of Casa de la Memoria Museum. A stretch of the Medellín River in Barbosa, the water flows from right to left. “The river has become a depository of bodies; it detaches them from the place where the event takes place. Floating bodies that mark the landscape because those in the depths can no longer be seen”. Photographer: Sergio Gómez, personal archive, 2016.](/cms/asset/4f71ea4b-4b03-4dec-8429-3ef5302302e9/ymsi_a_2143757_f0010_oc.jpg)