Suggestive verbalizations in film: on character speech and sensory imagination

Figures & data

Figure 1. Wim Wenders’s Paris, Texas (1984).

Figure 2. Orson Welles’s The Stranger (1946).

Figure 3. Stanley Kubrick’s The Killing (1956).

Figure 4. South Park (2005, season 9, episode 4).

Figure 5. Stanley Kubrick’s Eyes Wide Shut (1999).