Abstract
This article aims to underline the opposition between the concrete and material aspect of money and the evanescent and virtual character it assumes in Ryoko Sekiguchi's writings about the recent Fukushima nuclear disaster.
Additional information
Notes on contributors
Agnès Disson
Agnès Disson is a professor at Osaka University, Japan, where she teaches contemporary French poetry. She has written articles on Olivier Cadiot, Pierre Alferi, Nathalie Quintane, and Anne Portugal, among others, and published essays and anthologies in Japanese in numerous reviews. She co-directed the first international colloquium dedicated to Jacques Roubaud (2006), as well as the book Jacques Roubaud, compositeur de mathématique et de poésie (Absalon, 2011). She is currently writing a book on the notion of extreme contemporary in literature.