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Research Articles

In and out of the zoom: The photographic act as frame of precarity in Italy’s postcolonial cinema since 1990

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Figures & data

Figure 1. Screenshot Cover Boy, communist pasts viewed through a spectral visor.

Figure 1. Screenshot Cover Boy, communist pasts viewed through a spectral visor.

Figure 2. Screenshot Pummarò, Giobbe as spectrum.

Figure 2. Screenshot Pummarò, Giobbe as spectrum.

Figure 3-6. Screenshots Pummarò, between Black agency and objectification.

Figure 3-6. Screenshots Pummarò, between Black agency and objectification.

Figure 7-10. Screenshots Pummarò, (self-)representation as a practice of returning the gazes.

Figure 7-10. Screenshots Pummarò, (self-)representation as a practice of returning the gazes.

Figure 11. Screenshot Pummarò, Kwaku and Nanou out of the zoom.

Figure 11. Screenshot Pummarò, Kwaku and Nanou out of the zoom.

Figure 12. Screenshot Cover Boy, anonymous screening of a 'Global South' subject.

Figure 12. Screenshot Cover Boy, anonymous screening of a 'Global South' subject.

Figure 13 -16. Screenshots Cover Boy, photographic fragmentation of an orientalist object.

Figure 13 -16. Screenshots Cover Boy, photographic fragmentation of an orientalist object.

Figure 17 - 18. Screenshots Cover Boy, aesthetics of suffering as leitmotif.

Figure 17 - 18. Screenshots Cover Boy, aesthetics of suffering as leitmotif.

Figure 19. Screenshot Cover Boy, in the focus of an aesthetics of suffering.

Figure 19. Screenshot Cover Boy, in the focus of an aesthetics of suffering.

Figure 20. Screenshot Cover Boy, Ioan's gaze averted to an off-screen space.

Figure 20. Screenshot Cover Boy, Ioan's gaze averted to an off-screen space.