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Articles

‘You are part of the club’: negotiating the field as a musician–ethnomusicologist

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Figure 1. Schematic trajectory of the author's interaction with the field during month 1 and 2.

Figure 1. Schematic trajectory of the author's interaction with the field during month 1 and 2.

Figure 2. Pathway from the wider musician affinity group to the inner ‘club’.

Figure 2. Pathway from the wider musician affinity group to the inner ‘club’.

Figure 3. Clay figurine by Ricardo Gago of a xeremier (left) and flabioler (right) given as a present at the end of the author's fieldwork. Translation of inscription: ‘To Cassandre Balosso-Bardin. For being the first musician/ethnomusicologist capable of crossing alone the path of all the xeremiers of Mallorca, winter 2013.’

Figure 3. Clay figurine by Ricardo Gago of a xeremier (left) and flabioler (right) given as a present at the end of the author's fieldwork. Translation of inscription: ‘To Cassandre Balosso-Bardin. For being the first musician/ethnomusicologist capable of crossing alone the path of all the xeremiers of Mallorca, winter 2013.’