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Politics of Knowledge Production and Collaborations

Audiovisual production and embodied pedagogy as health promotion: The experience of a university extension project in partnership with the Casa Nem LGBTQIA+ shelter in Brazil

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Pages 2560-2573 | Received 28 Apr 2021, Accepted 07 Jun 2022, Published online: 30 Jun 2022

Figures & data

Figure 1. One of the Lab activities, in front of the old Casa Nem squatters’ settlement headquarters in downtown Rio de Janeiro. Author: Flavia Viana.

Figure 1. One of the Lab activities, in front of the old Casa Nem squatters’ settlement headquarters in downtown Rio de Janeiro. Author: Flavia Viana.

Figure 2. Frame from the film I Only Know How to Feel. Author: Suzy Rocha.

Figure 2. Frame from the film I Only Know How to Feel. Author: Suzy Rocha.

Figure 3. Frame from the film The Era We Raised Up is Only the Beginning. Author: Flavia Viana.

Figure 3. Frame from the film The Era We Raised Up is Only the Beginning. Author: Flavia Viana.

Figure 4. Frame from the film Horizontal Flowers. Author: Duca Caldeira.

Figure 4. Frame from the film Horizontal Flowers. Author: Duca Caldeira.

Figure 5. Frame from the film Street Vender. Author: Flavia Viana.

Figure 5. Frame from the film Street Vender. Author: Flavia Viana.

Figure 6. Frame from the film Life is Poetry: Body, Soul, and Heart!!! Author: Marina Cavalcanti.

Figure 6. Frame from the film Life is Poetry: Body, Soul, and Heart!!! Author: Marina Cavalcanti.

Figure 7. Frame from the film Black Lips. Author: Xayoncé.

Figure 7. Frame from the film Black Lips. Author: Xayoncé.

Figure 8. Frame from the film Clandestine. Author: Bruna Andrade.

Figure 8. Frame from the film Clandestine. Author: Bruna Andrade.

Figure 9. Frame from the film Horizontal Flowers. Author: Camila Bastos Bacellar.

Figure 9. Frame from the film Horizontal Flowers. Author: Camila Bastos Bacellar.

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