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Articles

Art-geoscience encounters and entanglements in the watery realm

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Pages 9-18 | Received 25 Jul 2017, Accepted 03 Dec 2018, Published online: 13 Jan 2019

Figures & data

Figure 1. Geomorphological maps of the Teleorman River, Romania (CitationMacklin et al., 2011) (left) and Tywi River, Wales (CitationJones et al., 2011) (right).

Figure 1. Geomorphological maps of the Teleorman River, Romania (CitationMacklin et al., 2011) (left) and Tywi River, Wales (CitationJones et al., 2011) (right).

Figure 2. ‘Dyfi LiDAR’ (giclee with woodcut print by Judy Macklin).

Figure 2. ‘Dyfi LiDAR’ (giclee with woodcut print by Judy Macklin).

Figure 3. Geomorphological map of the Tywi River, Wales (CitationJones et al., 2011) (left) and lino- (top right) and woodblocks (bottom right) produced by Judy Macklin.

Figure 3. Geomorphological map of the Tywi River, Wales (CitationJones et al., 2011) (left) and lino- (top right) and woodblocks (bottom right) produced by Judy Macklin.

Figure 4. Aerial photograph of village of Măgura annotated by children marking the location of their homes (top left); Măgura children making self-portrait clay figurines with a replica Romanian Neolithic figurine in the foreground (bottom left); chalk and willow charcoal aerial drawing of Măgura and the Claniţa River produced by Măgura School (centre); and mixed media mosaic of the Claniţa River incorporating found objects and figurine self-portraits of Măgura village school children (right).

Figure 4. Aerial photograph of village of Măgura annotated by children marking the location of their homes (top left); Măgura children making self-portrait clay figurines with a replica Romanian Neolithic figurine in the foreground (bottom left); chalk and willow charcoal aerial drawing of Măgura and the Claniţa River produced by Măgura School (centre); and mixed media mosaic of the Claniţa River incorporating found objects and figurine self-portraits of Măgura village school children (right).

Figure 5. Wood, lino-cut and chine collé prints from Judy Macklin’s ‘Sacred river landscapes: form and process’ 2011 exhibition at Amsterdam’s Grafisch Atelier.

Figure 5. Wood, lino-cut and chine collé prints from Judy Macklin’s ‘Sacred river landscapes: form and process’ 2011 exhibition at Amsterdam’s Grafisch Atelier.

Figure 6. ‘Confluence mirror map’ (wood-cut with chine collé print by Judy Macklin) (top); ‘Spirit of the Ramblas’ in red (bottom far left) and blue (bottom centre left) (wood-cut prints by Judy Macklin); and ‘Body of the land’ (bottom centre right) and ‘Bones of the land’ (bottom far right) (wood-cut prints by Judy Macklin).

Figure 6. ‘Confluence mirror map’ (wood-cut with chine collé print by Judy Macklin) (top); ‘Spirit of the Ramblas’ in red (bottom far left) and blue (bottom centre left) (wood-cut prints by Judy Macklin); and ‘Body of the land’ (bottom centre right) and ‘Bones of the land’ (bottom far right) (wood-cut prints by Judy Macklin).

Figure 7. ‘Avulsing Maranoa’ (top) (wood-cut print by Judy Macklin) and ‘Lockyer-Brisbane confluence’ (bottom) (wood-cut print by Judy Macklin).

Figure 7. ‘Avulsing Maranoa’ (top) (wood-cut print by Judy Macklin) and ‘Lockyer-Brisbane confluence’ (bottom) (wood-cut print by Judy Macklin).