Figures & data
Figure 1. Geomorphological maps of the Teleorman River, Romania (CitationMacklin et al., 2011) (left) and Tywi River, Wales (CitationJones et al., 2011) (right).
![Figure 1. Geomorphological maps of the Teleorman River, Romania (CitationMacklin et al., 2011) (left) and Tywi River, Wales (CitationJones et al., 2011) (right).](/cms/asset/4aeae1fe-fbd7-451c-8875-04d92cdbfe3c/tjom_a_1556128_f0001_oc.jpg)
Figure 3. Geomorphological map of the Tywi River, Wales (CitationJones et al., 2011) (left) and lino- (top right) and woodblocks (bottom right) produced by Judy Macklin.
![Figure 3. Geomorphological map of the Tywi River, Wales (CitationJones et al., 2011) (left) and lino- (top right) and woodblocks (bottom right) produced by Judy Macklin.](/cms/asset/8e22ac01-f0f4-425d-8ccd-5ddead3dc89b/tjom_a_1556128_f0003_oc.jpg)
Figure 4. Aerial photograph of village of Măgura annotated by children marking the location of their homes (top left); Măgura children making self-portrait clay figurines with a replica Romanian Neolithic figurine in the foreground (bottom left); chalk and willow charcoal aerial drawing of Măgura and the Claniţa River produced by Măgura School (centre); and mixed media mosaic of the Claniţa River incorporating found objects and figurine self-portraits of Măgura village school children (right).
![Figure 4. Aerial photograph of village of Măgura annotated by children marking the location of their homes (top left); Măgura children making self-portrait clay figurines with a replica Romanian Neolithic figurine in the foreground (bottom left); chalk and willow charcoal aerial drawing of Măgura and the Claniţa River produced by Măgura School (centre); and mixed media mosaic of the Claniţa River incorporating found objects and figurine self-portraits of Măgura village school children (right).](/cms/asset/6681db6e-bc7d-4aff-94fe-673be132dc9a/tjom_a_1556128_f0004_oc.jpg)
Figure 5. Wood, lino-cut and chine collé prints from Judy Macklin’s ‘Sacred river landscapes: form and process’ 2011 exhibition at Amsterdam’s Grafisch Atelier.
![Figure 5. Wood, lino-cut and chine collé prints from Judy Macklin’s ‘Sacred river landscapes: form and process’ 2011 exhibition at Amsterdam’s Grafisch Atelier.](/cms/asset/c79b0d1c-d37f-4304-8f9d-490d637b6be9/tjom_a_1556128_f0005_oc.jpg)
Figure 6. ‘Confluence mirror map’ (wood-cut with chine collé print by Judy Macklin) (top); ‘Spirit of the Ramblas’ in red (bottom far left) and blue (bottom centre left) (wood-cut prints by Judy Macklin); and ‘Body of the land’ (bottom centre right) and ‘Bones of the land’ (bottom far right) (wood-cut prints by Judy Macklin).
![Figure 6. ‘Confluence mirror map’ (wood-cut with chine collé print by Judy Macklin) (top); ‘Spirit of the Ramblas’ in red (bottom far left) and blue (bottom centre left) (wood-cut prints by Judy Macklin); and ‘Body of the land’ (bottom centre right) and ‘Bones of the land’ (bottom far right) (wood-cut prints by Judy Macklin).](/cms/asset/6e7f6a80-6c62-48dc-92b6-017fc5f06f4f/tjom_a_1556128_f0006_oc.jpg)
Figure 7. ‘Avulsing Maranoa’ (top) (wood-cut print by Judy Macklin) and ‘Lockyer-Brisbane confluence’ (bottom) (wood-cut print by Judy Macklin).
![Figure 7. ‘Avulsing Maranoa’ (top) (wood-cut print by Judy Macklin) and ‘Lockyer-Brisbane confluence’ (bottom) (wood-cut print by Judy Macklin).](/cms/asset/da2f657e-a6b7-4bd5-a78e-4fd2e6330d82/tjom_a_1556128_f0007_oc.jpg)