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Articles

Songs to the Jinas and of the Gurus: historical comparisons between Jain and Sikh devotional music

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Figure 1. View from walls of the inner fort (Qila Androon) on the entrance gate and square of Patiala’s Qila Mubarak. Source: Author’s own photograph, 6 March 2014.

Figure 1. View from walls of the inner fort (Qila Androon) on the entrance gate and square of Patiala’s Qila Mubarak. Source: Author’s own photograph, 6 March 2014.

Figure 2. Paintings of maharaja Karam Singh and various Vaishnava icons on the sides in the Audience Hall of Qila Mubarak, Patiala. Source: Author’s own photograph, 6 March 2014.

Figure 2. Paintings of maharaja Karam Singh and various Vaishnava icons on the sides in the Audience Hall of Qila Mubarak, Patiala. Source: Author’s own photograph, 6 March 2014.

Figure 3. Three panels (below) about Krishna’s abduction of Rukmini in the Audience Hall of Qila Mubarak, Patiala. Source: Author’s own photograph, 6 March 2014.

Figure 3. Three panels (below) about Krishna’s abduction of Rukmini in the Audience Hall of Qila Mubarak, Patiala. Source: Author’s own photograph, 6 March 2014.

Figure 4. Arihanta Deva, Jain master Parsvanath, Sheesh Mahal, Qila Mubarak, Patiala. Source: Author’s own photograph, 6 March 2014.

Figure 4. Arihanta Deva, Jain master Parsvanath, Sheesh Mahal, Qila Mubarak, Patiala. Source: Author’s own photograph, 6 March 2014.