Figures & data
Figure 1. Jacques Beck, La Clé de Voûte (Keystone), 2000, white Carrara marble, 355 × 170 × 110 mm. Reprinted with permission.
Figure 2. Gary Greenfield, Transport Network #2531, 2011, digital print, 6” × 4”. Reprinted with permission. See insert for colour version of this figure.
Figure 3. Samuel Verbiese, Labyrinthic EvaKnollization and St.Omerization of Grapefruit, 2011 (four views), grapefruit and permanent black ink, diameter 90 mm. Reprinted with permission. See insert for colour version of this figure.
Figure 4. James Mai, For Zeno (Flowering), 2010, archival digital print, 14” × 14”. Reprinted with permission. See insert for colour version of this figure.
Figure 5. János Szász Saxon, The Seventh triptichon 2, 1991, oil on canvas, 100 × 100 cm. Reprinted with permission.
Figure 6. Coimbra, “New Cathedral,” façade.
Figure 7. Francesco De Comite, 3D anamorphosis, 2011, wood and plastic, 40 × 40 × 20 cm. Reprinted with permission.
Figure 8. Jan W. Marcus, Mandelbrot, 2011, inkjet print / reflecting cylinder, 210 × 297 × 200 mm. Reprinted with permission.
Figure 9. Horst Schaefer, Rule and Form – Rule 50 – Chain, corners with an angle of 45 degree are touching corners with a right angle, 2010, intaglio printing on paper, 20” × 24”. Reprinted with permission.
Figure 10. Marien Metz, Portuguese Colors 2, 2011, design for hand-woven textile, 400 × 300 mm. Reprinted with permission.
Figure 11. Charlene Morrow, Solar Orbits, 2011, folded paper, 12” × 30”. Laura Weston, Mount Holyoke College. Reprinted with permission. See insert for colour version of this figure.
Figure 12. Anna Ursyn, Gaussian Music, 2010, archival print, 10” × 8”. Reprinted with permission. See insert for colour version of this figure.
