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Research Articles

Mirror or Hammer? News Media Coverage of Climate-Related Art

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Pages 172-186 | Received 26 Jul 2021, Accepted 08 Jan 2023, Published online: 07 Mar 2023

Figures & data

Figure 1. European Newspaper Coverage of Climate Change or Global Warming, 2004-2021. Media and Climate Change Observatory Data Sets. Cooperative Institute for Research in Environmental Science (Boykoff et al., Citation2021). Figure reproduced with permission.

Figure 1. European Newspaper Coverage of Climate Change or Global Warming, 2004-2021. Media and Climate Change Observatory Data Sets. Cooperative Institute for Research in Environmental Science (Boykoff et al., Citation2021). Figure reproduced with permission.

Figure 2. North American Newspaper Coverage of Climate Change or Global Warming, 2000-2021. Media and Climate Change Observatory Data Sets. Cooperative Institute for Research in Environmental Sciences, University of Colorado (Boykoff, Daly, McNatt & Nacu–Schmidt, Citation2021). Figure reproduced with permission.

Figure 2. North American Newspaper Coverage of Climate Change or Global Warming, 2000-2021. Media and Climate Change Observatory Data Sets. Cooperative Institute for Research in Environmental Sciences, University of Colorado (Boykoff, Daly, McNatt & Nacu–Schmidt, Citation2021). Figure reproduced with permission.

Table 1. Search results for keywords (German and Dutch equivalents) for articles published between 2015 and 2021; and number of analysed articles. *w/p function not available.

Table 2. Number of analysed articles per newspaper and genre.

Figure 3. Janet Laurence, Deep Breathing: Resuscitation for the Reef, 2015–2016 / 2019 (left), installation view, Janet Laurence: After Nature, Museum of Contemporary Art Australia, Sydney, 2019, wet, coral, coral drill core and dredge specimens, resin castings, 3D-printed skeletons, fish bones, tubing, laboratory glass, silicon, mirror, pigment, thread, acrylic, sand, glass, shells, clay, video projections, coral block CT scan from the Geocoastal Research Group, School of Geosciences, Marine Studies Institute, University of Sydney, selected specimens from the Collection of the Australian Museum, Sydney, selected specimens from the Geocoastal Research Group, School of Geosciences, Marine Studies Institute, University of Sydney, collection of the artist, image courtesy the Museum of Contemporary Art Australia © the artist, photograph: Jacquie Manning; Theatre of Trees, 2018 –2019 (right), installation view, Janet Laurence: After Nature, Museum of Contemporary Art Australia, Sydney, 2019, four circular structures, mesh, silk, duraclear, audio, video projections, books, scientific glass, plant specimens, botanical models and substances, collection of the artist, image courtesy the Museum of Contemporary Art Australia © the artist, photograph: Jacquie Manning.

Figure 3. Janet Laurence, Deep Breathing: Resuscitation for the Reef, 2015–2016 / 2019 (left), installation view, Janet Laurence: After Nature, Museum of Contemporary Art Australia, Sydney, 2019, wet, coral, coral drill core and dredge specimens, resin castings, 3D-printed skeletons, fish bones, tubing, laboratory glass, silicon, mirror, pigment, thread, acrylic, sand, glass, shells, clay, video projections, coral block CT scan from the Geocoastal Research Group, School of Geosciences, Marine Studies Institute, University of Sydney, selected specimens from the Collection of the Australian Museum, Sydney, selected specimens from the Geocoastal Research Group, School of Geosciences, Marine Studies Institute, University of Sydney, collection of the artist, image courtesy the Museum of Contemporary Art Australia © the artist, photograph: Jacquie Manning; Theatre of Trees, 2018 –2019 (right), installation view, Janet Laurence: After Nature, Museum of Contemporary Art Australia, Sydney, 2019, four circular structures, mesh, silk, duraclear, audio, video projections, books, scientific glass, plant specimens, botanical models and substances, collection of the artist, image courtesy the Museum of Contemporary Art Australia © the artist, photograph: Jacquie Manning.