Figures & data
Figure 1. Recto of the fragment showing a central fold and Greek text within clearly defined margins.
![Figure 1. Recto of the fragment showing a central fold and Greek text within clearly defined margins.](/cms/asset/954d2038-f2e0-4f6c-858e-822b3f032c28/yjpc_a_2292721_f0001_oc.jpg)
Figure 3. Enhanced MSI image with improved legibility of the text on the right side and ink transfer.
![Figure 3. Enhanced MSI image with improved legibility of the text on the right side and ink transfer.](/cms/asset/fccea755-2a80-4498-b41b-f5405bfd2759/yjpc_a_2292721_f0003_ob.jpg)
Figure 4. Direction of pricking of the hole sets: X/Y (category 1) in green and A/B/C/D, E/F, G/H/I/J (category 2) in red.
![Figure 4. Direction of pricking of the hole sets: X/Y (category 1) in green and A/B/C/D, E/F, G/H/I/J (category 2) in red.](/cms/asset/2bcb3d8d-9732-4e30-be2a-fb82623e48b3/yjpc_a_2292721_f0004_oc.jpg)
Figure 5. Reconstruction of the stages in the ‘lives’ of The Graz Mummy Book: 1. A blank papyrus sheet (formed of two kollemata joined by a kollesis) – 2. The piece is folded to form a bifolio – 3. Multiple bifolios are stacked together – 4. The bifolios are stab sewn – 5. The notebook is written upon – 6. The binding is dismantled and the bifolios are separated – 7. The bifolio is secured with tackets – 8. Significant damage occurs to the bifolio – 9. The bifolio is reused as mummy cartonnage alongside further papyrus waste and textile – 10. The cartonnage surface is plastered – 11. The cartonnage is painted – 12. The bifolio is taken from the mummy and becomes a museum object.
![Figure 5. Reconstruction of the stages in the ‘lives’ of The Graz Mummy Book: 1. A blank papyrus sheet (formed of two kollemata joined by a kollesis) – 2. The piece is folded to form a bifolio – 3. Multiple bifolios are stacked together – 4. The bifolios are stab sewn – 5. The notebook is written upon – 6. The binding is dismantled and the bifolios are separated – 7. The bifolio is secured with tackets – 8. Significant damage occurs to the bifolio – 9. The bifolio is reused as mummy cartonnage alongside further papyrus waste and textile – 10. The cartonnage surface is plastered – 11. The cartonnage is painted – 12. The bifolio is taken from the mummy and becomes a museum object.](/cms/asset/1ebb4729-cb6c-494e-b1f3-542cf8ce2a5f/yjpc_a_2292721_f0005_ob.jpg)
Data availability statement
All information about The Mummy Book is available here: https://mummybook.uni-graz.at/en/. All illustrations were carried out by Lena Krämer.