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NORMA
International Journal for Masculinity Studies
Volume 16, 2021 - Issue 2
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Articles

Imagining the Welsh nation in a post-patriarchal, post-national world: Y Gwyll/Hinterland and the re-construction of trans/national masculinity

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Pages 118-134 | Received 02 Nov 2018, Accepted 16 Mar 2021, Published online: 26 Mar 2021

Figures & data

Figure 1. The perpetrator as sacrifical lamb in ‘Aftermath’.

Figure 1. The perpetrator as sacrifical lamb in ‘Aftermath’.

Figure 2. The painting ‘Salem’ in the patriarch’s home in ‘The Tale of Nant Gwrtheyrn’ (Murphy & Thomas, Citation2015).

Figure 2. The painting ‘Salem’ in the patriarch’s home in ‘The Tale of Nant Gwrtheyrn’ (Murphy & Thomas, Citation2015).

Figure 3. Mathias framed against the Ceredigion map in ‘In the Dead of Night’ (Murphy & Thomas, Citation2015).

Figure 3. Mathias framed against the Ceredigion map in ‘In the Dead of Night’ (Murphy & Thomas, Citation2015).

Figure 4. The passive woman, sitting down, restricted to her home; Mathias is elevated as he perches on the arm of a sofa (in ‘Both Barrells’, Murphy & Bryn, Citation2016).

Figure 4. The passive woman, sitting down, restricted to her home; Mathias is elevated as he perches on the arm of a sofa (in ‘Both Barrells’, Murphy & Bryn, Citation2016).