Figures & data
Figure 2. The painting ‘Salem’ in the patriarch’s home in ‘The Tale of Nant Gwrtheyrn’ (Murphy & Thomas, Citation2015).
![Figure 2. The painting ‘Salem’ in the patriarch’s home in ‘The Tale of Nant Gwrtheyrn’ (Murphy & Thomas, Citation2015).](/cms/asset/b45109a2-d4b3-495c-aab5-558281512f2d/rnor_a_1905397_f0002_oc.jpg)
Figure 3. Mathias framed against the Ceredigion map in ‘In the Dead of Night’ (Murphy & Thomas, Citation2015).
![Figure 3. Mathias framed against the Ceredigion map in ‘In the Dead of Night’ (Murphy & Thomas, Citation2015).](/cms/asset/e4b02d1b-9b51-45cb-a378-e0ea008279a5/rnor_a_1905397_f0003_oc.jpg)
Figure 4. The passive woman, sitting down, restricted to her home; Mathias is elevated as he perches on the arm of a sofa (in ‘Both Barrells’, Murphy & Bryn, Citation2016).
![Figure 4. The passive woman, sitting down, restricted to her home; Mathias is elevated as he perches on the arm of a sofa (in ‘Both Barrells’, Murphy & Bryn, Citation2016).](/cms/asset/b40c96f2-8d77-4fb6-8357-be76572ba95d/rnor_a_1905397_f0004_oc.jpg)