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Notes
1. The subtitle to this article from The Telegraph, which was retweeted many times, was: ‘Renee Zellweger attended a Hollywood ceremony looking unrecognisable, prompting fans to ask what she has done to her face’ (Singh Citation2014).
2. See the ‘Introduction’ to Steven Shaviro’s Post-Cinematic Affect (Citation2010, p. 14) for an insightful discussion of ‘the media flows, financial flows, and modulations of control through which (celebrities) are displayed’.
Additional information
Notes on contributors
Tanya Horeck
Tanya Horeck is a Reader in Film, Media and Culture at Anglia Ruskin University, Cambridge, UK. She is author of the book Public Rape: Representing Violation in Fiction and Film (Routledge 2004) and co-editor of two anthologies, The New Extremism in Cinema: From France to Europe (University of Edinburgh Press 2011) and Rape in Stieg Larsson’s Millennium Trilogy and Beyond (Palgrave Macmillan 2013).