The standardized, mechanized, and annotated body. Fragmentation as cultural technique in recent video works by Kajsa Dahlberg, Kalle Brolin, and Hanni Kamaly

Figures & data

Figure 1. Kajsa Dahlberg, reach, grasp, move, position, apply force (2015), HD video, 40 minutes, 16:9. Images courtesy of the artist.

Figure 2. Kajsa Dahlberg, reach, grasp, move, position, apply force (2015), HD video, 40 minutes, 16:9. Images courtesy of the artist.

Figure 3. Kajsa Dahlberg, reach, grasp, move, position, apply force (2015), HD video, 40 minutes, 16:9. Images courtesy of the artist.

Figure 4. Kajsa Dahlberg, reach, grasp, move, position, apply force (2015), HD video, 40 minutes, 16:9. Images courtesy of the artist.

Figure 5. Kajsa Dahlberg, reach, grasp, move, position, apply force (2015), HD video, 40 minutes, 16:9. Images courtesy of the artist.

Figure 6. Kalle Brolin, Jag är Skåne/I am Scania (2016), video, ca 23 min. Images courtesy of the artist.

Figure 7. Kalle Brolin, Jag är Skåne/I am Scania (2016), video, ca 23 min. Images courtesy of the artist.

Figure 8. Kalle Brolin, Jag är Solen/I am the Sun (2018), video recording of a lecture performance at Moderna Museet, Stockholm, ca 30 min. Images courtesy of the artist.

Figure 9. Kalle Brolin, Jag är Solen/I am the Sun (2018), video recording of a lecture performance at Moderna Museet, Stockholm, ca 30 min. Images courtesy of the artist.

Figure 10. Hanni Kamaly, HeadHandEye (2017/18), video, 17:45 min. Images courtesy of the artist.

Figure 11. Hanni Kamaly, HeadHandEye (2017/18), video, 17:45 min. Images courtesy of the artist.

Figure 12. Hanni Kamaly, HeadHandEye (2017/18), video, 17:45 min. Images courtesy of the artist.

Figure 13. Hanni Kamaly, HeadHandEye (2017/18), video, 17:45 min. Images courtesy of the artist.