Abstract
This paper focuses on the role of narrative in enabling educational processes to support justice and equality in multicultural societies. It draws on Bhabha’s (2003) concept “the right to narrate”, arguing that conceptions of multicultural education which focus exclusively on the nation are insufficient in a globalized and interdependent world. National narratives, promoted through history and citizenship education, not only deny minorities’ perspectives but also encourage exclusive visions of the nation, maintaining the hegemony of the nation-state. Neighboring nations tell alternative, often contradictory, stories through their school curricula. Processes are closer to propaganda than the educational goal of critical thinking and contribute little to the realisation of justice and peace at home or the wider world. Promoting nationalism and a sense of national superiority may weaken the position of migrants and undermine regional and global cooperation. The paper argues we need to rethink multicultural education. In particular, we need to re-imagine the nation as cosmopolitan. Drawing on the tools of the internationally-agreed human rights project, itself a cosmopolitan endeavor, and on principles of human rights education, it is possible to develop a concept of multicultural education which supports justice and equality at all scales, from the local to the global.
Notes
1. For decades Germany denied citizenship to “guest-workers”, on the premise that German citizenship could only be acquired through bloodlines. Britain has had piecemeal multicultural polices, for example, in education, dependent on the commitment of specific local authorities (Figueroa, Citation2004; Tomlinson, Citation2009; Osler, Citation2011a).
2. Critical Race Theory (CRT) builds on the work of U.S. critical legal scholars from the 1970s and has been developed by U.S. educators such as Gloria Ladson-Billings and William Tate (Citation1995). Drawing on key concepts such as interest convergence, contradiction, closure, and storytelling/ narrative, this body of work has tended to focus on the African- American experience in the U.S.
3. See Rollock (2012) and Warmington (2012).