5,601
Views
0
CrossRef citations to date
0
Altmetric
Introduction

And Yet It Moves: Ethics, Power and Politics in the Stories of Collecting, Archiving and Displaying of Drawings and Models

Figures & data

Figure 1 Lina Bo Bardi at Casa De Vidro in Morumbi, São Paulo, Brazil, 1952. Photo by Francisco Albuquerque. © Instituto Bardi/Casa de Vidro and Instituto Moreira Salles.

Figure 1 Lina Bo Bardi at Casa De Vidro in Morumbi, São Paulo, Brazil, 1952. Photo by Francisco Albuquerque. © Instituto Bardi/Casa de Vidro and Instituto Moreira Salles.

Figure 2 Carlo Scarpa Archive, 2013. Visit of the Amici dei Musei after the inauguration of the Tower with the Curator of the Carlo Scarpa Archive, Alba Di Lieto. © Photograph by Federico Puggioni. Courtesy of Castelvecchio Museum, Verona, Italy.

Figure 2 Carlo Scarpa Archive, 2013. Visit of the Amici dei Musei after the inauguration of the Tower with the Curator of the Carlo Scarpa Archive, Alba Di Lieto. © Photograph by Federico Puggioni. Courtesy of Castelvecchio Museum, Verona, Italy.

Figure 3 Museum of Castelvecchio’s courtyard seen from a window of the Carlo Scarpa Archive, Verona, Italy. © Photograph courtesy of Prakash Patel.

Figure 3 Museum of Castelvecchio’s courtyard seen from a window of the Carlo Scarpa Archive, Verona, Italy. © Photograph courtesy of Prakash Patel.

Figure 4 Hybrid collage showing the location of the Historical Archives of the Fabric of St. Peter’s in the Vatican. Left: Plan of the archives located in octagonal rooms above the level of the barrel vaults. Right: Drawing plan and section of the octagon of St. Jerome where the model (1539–1546) of Antonio da Sangallo the Younger (1484–1546) for St. Peter’s is kept. © Federica Goffi.

Figure 4 Hybrid collage showing the location of the Historical Archives of the Fabric of St. Peter’s in the Vatican. Left: Plan of the archives located in octagonal rooms above the level of the barrel vaults. Right: Drawing plan and section of the octagon of St. Jerome where the model (1539–1546) of Antonio da Sangallo the Younger (1484–1546) for St. Peter’s is kept. © Federica Goffi.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.