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Sound Studies
An Interdisciplinary Journal
Volume 1, 2015 - Issue 1
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Articles

Beats, flesh, and grain: sonic tactility and affect in electronic dance music

Figures & data

Figure 1a. Waveforms of sample instruments with their attack–decay–sustain–release (ADSR) envelopes traced and labelled: trumpet.

Figure 1a. Waveforms of sample instruments with their attack–decay–sustain–release (ADSR) envelopes traced and labelled: trumpet.

Figure 1b. Waveforms of sample instruments with their attack–decay–sustain–release (ADSR) envelopes traced and labelled: clarinet.

Figure 1b. Waveforms of sample instruments with their attack–decay–sustain–release (ADSR) envelopes traced and labelled: clarinet.

Figure 1c. Waveforms of sample instruments with their attack–decay–sustain–release (ADSR) envelopes traced and labelled: violin.

Figure 1c. Waveforms of sample instruments with their attack–decay–sustain–release (ADSR) envelopes traced and labelled: violin.

Figure 1d. Waveforms of sample instruments with their attack–decay–sustain–release (ADSR) envelopes traced and labelled: snare drum.

Figure 1d. Waveforms of sample instruments with their attack–decay–sustain–release (ADSR) envelopes traced and labelled: snare drum.

Figure 2. Types and genres of grains. Translation (by the author) of “Types et genres de grains,” Figure 39, p. 553, of Pierre Schaeffer’s Traité des objets musicaux (1966).

Figure 2. Types and genres of grains. Translation (by the author) of “Types et genres de grains,” Figure 39, p. 553, of Pierre Schaeffer’s Traité des objets musicaux (1966).