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Sound Studies

An Interdisciplinary Journal

Volume 6, 2020 - Issue 1

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Hearing pastness and presence: the myth of perfect fidelity and the temporality of recorded sound

Melle Jan KromhoutFaculty of Music, University of Cambridge, Cambridge, UKCorrespondence[email protected]

https://orcid.org/0000-0003-4119-3067 View further author information

Pages 29-44 | Received 26 Jun 2019, Accepted 07 Jan 2020, Published online: 29 Jan 2020

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https://doi.org/10.1080/20551940.2020.1713524
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