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Articles

Musical play, creativity and metacognitive processes in developing improvisational expertise: expert improvising voices

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Pages 248-265 | Received 07 Sep 2016, Accepted 25 May 2018, Published online: 13 Oct 2018
 

ABSTRACT

This study investigates musical play within the one-to-one musical improvisation lesson. Improvisation is a specific and significant musical skill that relies on musicality, creativity and collaborative skills in spontaneous dialogic interplay. This article presents observations of four one-to-one lessons in a conservatoire environment. A phenomenological inquiry reports on data gathered both within the lesson, and on learning reflections of both teacher and student in post-lesson interviews. The study reveals teacher–student interactions that develop skill, knowledge and creativity in improvising students, and the way play acts as a powerful tool and strategy through which teachers can model, structure and enculturate learning. Links between musical play and self-regulation, co-regulation and socially shared regulation suggest relationships between play and evolving learning behaviours, and the development of creative thinking in students. Addressing constraining and re-creative goals and pedagogies prevalent in jazz education, implications are made for advancing current teaching practice in relation to creative arts teaching practices and music education and creative development in improvising students in particular.

Disclosure statement

No potential conflict of interest was reported by the author.

Notes on contributor

Leon R. de Bruin is a Postdoctoral Research Fellow at RMIT University. He is an educator, musician, composer and researcher. He has extensive research work and has authored over 25 peer-reviewed articles and book chapters relating to meta-cognition, creativity, performing arts/artistic practices, STEM/STEAM creative pedagogies, creativity in education and the arts. He has been the recipient of the Monash University Vice-Chancellors commendation for excellence (2017), and the ASME Callaway Award (2017). He is a member of the editorial board of The International Journal of Music Education – Research. He is co-editor of the recent publication Creativities in Arts Education, Research and Practice: International Perspectives for the Future of Learning and Teaching, (de Bruin, Burnard & Davis Eds.), and Creativity in Education. Oxford Research Encyclopedia of Education. OUP (Harris & de Bruin).

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