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Research Article

The role of perspective in the contemporary artistic practice

ORCID Icon & ORCID Icon | (Reviewing Editor)
Article: 1614305 | Received 13 Feb 2019, Accepted 28 Apr 2019, Published online: 23 May 2019

Figures & data

Figure 1. Georges Rousse. Selestat. 1999. Painting on architecture. (Artwork copyright © Georges Rousse. Photograph copyright © Bärtschi-Salomon Editions Sàrl y Georges Rousse). (Rousse, Citation2000).

Figure 1. Georges Rousse. Selestat. 1999. Painting on architecture. (Artwork copyright © Georges Rousse. Photograph copyright © Bärtschi-Salomon Editions Sàrl y Georges Rousse). (Rousse, Citation2000).

Figure 2. Felice Varini. Cercles concentriques excentriques. 2018. Adhesive aluminium foil. (Artwork copyright and photograph copyright © Felice Varini). (Varini, Citation2018).

Figure 2. Felice Varini. Cercles concentriques excentriques. 2018. Adhesive aluminium foil. (Artwork copyright and photograph copyright © Felice Varini). (Varini, Citation2018).

Figure 3. William Kentridge. What will come (has already come) (Queen of the night). 2007. 35 mm film transferred to video, 8:40 mins. Metallic cylinder. (Artwork copyright and photograph copyright © William Kentridge). (Kentridge, Francés, & de Corral, Citation2012).

Figure 3. William Kentridge. What will come (has already come) (Queen of the night). 2007. 35 mm film transferred to video, 8:40 mins. Metallic cylinder. (Artwork copyright and photograph copyright © William Kentridge). (Kentridge, Francés, & de Corral, Citation2012).

Figure 4. István Orosz. A Magically Appearing Portrait of Jules Verne on the Mysterious Island. 1983. Drawing on paper and metallic cylinder. (Artwork copyright © István Orosz. Photograph copyright © Al Seckel). (Seckel, Citation2004).

Figure 4. István Orosz. A Magically Appearing Portrait of Jules Verne on the Mysterious Island. 1983. Drawing on paper and metallic cylinder. (Artwork copyright © István Orosz. Photograph copyright © Al Seckel). (Seckel, Citation2004).

Figure 5. István Orosz. Anamorphic body landscapes IV. 1989. Drawing on paper and metallic cylinder. (Artwork copyright © István Orosz. Photograph copyright © Al Seckel). (Seckel, Citation2004).

Figure 5. István Orosz. Anamorphic body landscapes IV. 1989. Drawing on paper and metallic cylinder. (Artwork copyright © István Orosz. Photograph copyright © Al Seckel). (Seckel, Citation2004).

Figure 6. Tim Noble and Sue Webster. The Undesirables. 2000. Trash, electric fan, 3 light projectors & coloured gels and smoke machine. 200 × 600 x 500 cm. (Artwork copyright © Tim Noble & Sue Webster. Photograph copyright © Gestión Cultural y Comunicación S. L.—CAC Málaga). (Noble & Webster, Citation2005).

Figure 6. Tim Noble and Sue Webster. The Undesirables. 2000. Trash, electric fan, 3 light projectors & coloured gels and smoke machine. 200 × 600 x 500 cm. (Artwork copyright © Tim Noble & Sue Webster. Photograph copyright © Gestión Cultural y Comunicación S. L.—CAC Málaga). (Noble & Webster, Citation2005).

Figure 7. Tim Noble and Sue Webster. The Masterpiece. 2014. (Sculpture, Sterling silver, metal stand, light projector). 153 × 24 x 37.5 cm. (Artwork copyright © Tim Noble & Sue Webster. Photograph by the authors).

Figure 7. Tim Noble and Sue Webster. The Masterpiece. 2014. (Sculpture, Sterling silver, metal stand, light projector). 153 × 24 x 37.5 cm. (Artwork copyright © Tim Noble & Sue Webster. Photograph by the authors).

Figure 8. Esther Stocker. Contours of Thinking—shiko no rinkaku. 2016. Mixed media. (Artwork copyright and photograph copyright © Esther Stocker). (Stocker, Citation2018).

Figure 8. Esther Stocker. Contours of Thinking—shiko no rinkaku. 2016. Mixed media. (Artwork copyright and photograph copyright © Esther Stocker). (Stocker, Citation2018).

Figure 9. Fred Sandback. Untitled. 1987. Thread. (Artwork copyright © Fred Sandback. Photograph copyright © The State of Frend Sandback, New York). (Sandback, Citation2017).

Figure 9. Fred Sandback. Untitled. 1987. Thread. (Artwork copyright © Fred Sandback. Photograph copyright © The State of Frend Sandback, New York). (Sandback, Citation2017).

Figure 10. Jorge Macchy. Perspective. 1991. Installation. (Artwork copyright and photograph copyright © Jorge Macchi). (Macchi, Citation2012).

Figure 10. Jorge Macchy. Perspective. 1991. Installation. (Artwork copyright and photograph copyright © Jorge Macchi). (Macchi, Citation2012).

Figure 11. Jorge Macchy. Vanishing Point. 2005. Acrylic painting on wallpaper on wall. (Artwork copyright and photograph copyright © Jorge Macchi). (Dahelberg et al., Citation2006).

Figure 11. Jorge Macchy. Vanishing Point. 2005. Acrylic painting on wallpaper on wall. (Artwork copyright and photograph copyright © Jorge Macchi). (Dahelberg et al., Citation2006).

Figure 12. Jorge Macchy. Hotel. 2007. Acrylic painting on wall and lamp. (Artwork copyright and photograph copyright © Jorge Macchi). (Macchi, Citation2012).

Figure 12. Jorge Macchy. Hotel. 2007. Acrylic painting on wall and lamp. (Artwork copyright and photograph copyright © Jorge Macchi). (Macchi, Citation2012).