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Research article

From Print to Painting: Jan Miense Molenaer’s Lute players

| (Reviewing editor)
Article: 1644705 | Received 07 Oct 2017, Accepted 11 Jul 2019, Published online: 09 Aug 2019

Figures & data

Figure 1. Jan Miense Molenaer, Self-Portrait as a Lute Player, c. 1636/1637, oil on panel, 38.7 × 32.4 cm, National Gallery of Art, Washington, DC. Lee and Juliet Folger Fund, inv. no. 2015.20.1.

Figure 1. Jan Miense Molenaer, Self-Portrait as a Lute Player, c. 1636/1637, oil on panel, 38.7 × 32.4 cm, National Gallery of Art, Washington, DC. Lee and Juliet Folger Fund, inv. no. 2015.20.1.

Figure 2. David Vinckboons, Garden Party, c. 1610, oil on panel, 28.4 × 43.6 cm, Rijksmuseum, Amsterdam, inv. no. SK-A-2109 (artwork in the public domain).

Figure 2. David Vinckboons, Garden Party, c. 1610, oil on panel, 28.4 × 43.6 cm, Rijksmuseum, Amsterdam, inv. no. SK-A-2109 (artwork in the public domain).

Figure 3. Gillis van Scheyndel, after Esaias van de Velde, Music Makers in a Landscape, 1622, etching, 21.1 × 24.7 cm, British Museum, London, ©The Trustees of the British Museum, inv. no. S.5419 (artwork in the public domain).

Figure 3. Gillis van Scheyndel, after Esaias van de Velde, Music Makers in a Landscape, 1622, etching, 21.1 × 24.7 cm, British Museum, London, ©The Trustees of the British Museum, inv. no. S.5419 (artwork in the public domain).

Figure 4. Jan Miense Molenaer, The Duet, c. 1630-31, oil on canvas, 64.1 × 50.5 cm, Seattle Art Museum, Seattle, WA, Samuel H. Kress Collection, photo: Paul Macapia, inv. no. 61.162.

Figure 4. Jan Miense Molenaer, The Duet, c. 1630-31, oil on canvas, 64.1 × 50.5 cm, Seattle Art Museum, Seattle, WA, Samuel H. Kress Collection, photo: Paul Macapia, inv. no. 61.162.

Figure 5. Jan Miense Molenaer, A Young Man Playing a Theorbo and a Young Woman Playing the Cittern, c. 1630-1632, oil on canvas, 64 × 84 cm, National Gallery, London, acquisition credit: bought (Clarke Fund), 1889, inv. no. NG 1293.

Figure 5. Jan Miense Molenaer, A Young Man Playing a Theorbo and a Young Woman Playing the Cittern, c. 1630-1632, oil on canvas, 64 × 84 cm, National Gallery, London, acquisition credit: bought (Clarke Fund), 1889, inv. no. NG 1293.

Figure 6. Jan Miense Molenaer, Allegory of Marital Fidelity, 1633, oil on canvas, 99 × 140.9 cm, Virginia Museum of Fine Arts, Richmond, VA, Adolf D. and Wilkins C. Williams Collection, © Virginia Museum of Fine Arts, photo Katherine Wetzel, inv. no. 49.11.19.

Figure 6. Jan Miense Molenaer, Allegory of Marital Fidelity, 1633, oil on canvas, 99 × 140.9 cm, Virginia Museum of Fine Arts, Richmond, VA, Adolf D. and Wilkins C. Williams Collection, © Virginia Museum of Fine Arts, photo Katherine Wetzel, inv. no. 49.11.19.

Figure 7. Jan Miense Molenaer, Self-Portrait with Family Members, c. 1634-1636, oil on panel, 62.3 × 81.3 cm, Frans Hals Museum, Haarlem, on long term loan from the Cultural Heritage Agency of the Netherlands, Amsterdam, inv. no. 75-332.

Figure 7. Jan Miense Molenaer, Self-Portrait with Family Members, c. 1634-1636, oil on panel, 62.3 × 81.3 cm, Frans Hals Museum, Haarlem, on long term loan from the Cultural Heritage Agency of the Netherlands, Amsterdam, inv. no. 75-332.

Figure 8. Pieter de Jode I after a drawing by Adam van Noort, Musical Company, engraving, c. 1594-95, 16 × 19.6 cm, British Museum, London, ©The Trustees of the British Museum, inv. no. 1856, 0308.160 (artwork in the public domain).

Figure 8. Pieter de Jode I after a drawing by Adam van Noort, Musical Company, engraving, c. 1594-95, 16 × 19.6 cm, British Museum, London, ©The Trustees of the British Museum, inv. no. 1856, 0308.160 (artwork in the public domain).

Figure 9. Jan Saendredam after Hendrick Goltzius, Spring, c. 1594-95, engraving, 20.5 × 14.5 cm, from a series of four plates, British Museum, London, ©The Trustees of the British Museum, inv. no. D,3.240 (artwork in the public domain).

Figure 9. Jan Saendredam after Hendrick Goltzius, Spring, c. 1594-95, engraving, 20.5 × 14.5 cm, from a series of four plates, British Museum, London, ©The Trustees of the British Museum, inv. no. D,3.240 (artwork in the public domain).

Figure 10. Attributed to Gillis van Breen, after Pieter de Jode I, Musical Company with Time, c. 1600, etching and engraving, 15.6 × 19.5 cm, National Gallery of Denmark, Kongelige Kobberstiksamling, Copenhagen, SMK photo, inv. no. KKSgb3118.

Figure 10. Attributed to Gillis van Breen, after Pieter de Jode I, Musical Company with Time, c. 1600, etching and engraving, 15.6 × 19.5 cm, National Gallery of Denmark, Kongelige Kobberstiksamling, Copenhagen, SMK photo, inv. no. KKSgb3118.

Figure 11. Marcantonio Raimondi, Portrait of Giovanni Filoteo Achillini, c. 1504-1505, engraving on parchment, 18.2 × 12.9 cm, Albertina, Vienna, inv. no. DG1971/432.

Figure 11. Marcantonio Raimondi, Portrait of Giovanni Filoteo Achillini, c. 1504-1505, engraving on parchment, 18.2 × 12.9 cm, Albertina, Vienna, inv. no. DG1971/432.