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Cogent Arts & Humanities Volume 11, 2024 - Issue 1
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HISTORY

Rome reborn on the Arno: Republican spatialities and the uses of the past

Kaius Tuori1 Centre for European Studies, University of Helsinki, Helsinki, FinlandCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0002-1908-2478View further author information
ORCID Icon,
Anna-Maria Wilskman1 Centre for European Studies, University of Helsinki, Helsinki, FinlandORCID Iconhttps://orcid.org/0000-0002-4097-5510View further author information
ORCID Icon,
Samuli Simelius1 Centre for European Studies, University of Helsinki, Helsinki, FinlandORCID Iconhttps://orcid.org/0000-0002-5410-7394View further author information
ORCID Icon,
Antonio Lopez Garcia2 Departamento de Prehistoria y Arqueología, University of Granada, Granada, SpainORCID Iconhttps://orcid.org/0000-0001-5646-1541View further author information
ORCID Icon &
Vesa Heikkinen1 Centre for European Studies, University of Helsinki, Helsinki, FinlandView further author information
Article: 2264019 | Received 08 Aug 2022, Accepted 23 Sep 2023, Published online: 19 Dec 2023

Figures & data

Map 1. The outline of Roman Florence on the modern street network.

Adapted from Francovich et al. (Citation2007) La storia di Firenze tra tarda antichità e medioevo. Nuovi dati dallo scavo di via de’ Castellani. Annali di storia di Firenze, II: 9–48.
Map 1. The outline of Roman Florence on the modern street network.

Map 2. Florence in the Renaissance. Adapted from G. Brucker (Citation2005) Living on the edge in Leonardo’s Florence. Selected Essays. University of California Press, Berkeley.

Map 2. Florence in the Renaissance. Adapted from G. Brucker (Citation2005) Living on the edge in Leonardo’s Florence. Selected Essays. University of California Press, Berkeley.

Figure 1. Cosimo de’ Medici, 1389–1464, Pater Patriae, c. 1465/1469. Samuel H. Kress collection, accession number 1957.14.840.

Image: Courtesy National Gallery of Art, Washington. Open access image.
Figure 1. Cosimo de’ Medici, 1389–1464, Pater Patriae, c. 1465/1469. Samuel H. Kress collection, accession number 1957.14.840.

Figure 2. Pax holding a branch and a scepter. Sestertius, Vespasianus 71 CE (RIC II-12 nr. 186).

Image: Münzkabinett, Staatliche Museen zu Berlin. Licenced under CC BY-NC-SA licence.
Figure 2. Pax holding a branch and a scepter. Sestertius, Vespasianus 71 CE (RIC II-12 nr. 186).

Figure 3. The tomb of Nera Corsi.

Image: Photograph by Sailko, via Wikimedia Commons. Licenced under the CC by 3.0 (attribution 3.0 unported) licence.
Figure 3. The tomb of Nera Corsi.

Figure 4. The medal of Lorenzino de’Medici, 1537–48.

Image: Photograph by Andrew McCabe, via Flickr (https://www.flickr.com/photos/ahala_rome/5942367059/in/photostream/). Licenced under the CC BY-NC-SA 2.0. licence.
Figure 4. The medal of Lorenzino de’Medici, 1537–48.

Figure 5. Brutus and the Ides of March. Issued by Brutus and L. Plaetorius Cestianus. RRC 508/3.

Image: American Numismatic Society. Public domain, no copyright – United States. Images merged.
Figure 5. Brutus and the Ides of March. Issued by Brutus and L. Plaetorius Cestianus. RRC 508/3.

Figure 6. Vincenzo Danti: Cosimo I as Augustus, c. 1572.

Image: Photograph by Sailko, via Wikimedia Commons. Licenced under the CC by 3.0 (attribution 3.0 unported) licence.
Figure 6. Vincenzo Danti: Cosimo I as Augustus, c. 1572.

Figure 7. Giuseppe Zocchi: the Piazza della Signoria in Florence on the feast day of St John the Baptist, 1744. Print made by Carlo Gregori.

Image: Trustees of the British Museum, museum number 1922,0410.142.26. Licenced under CC BY-NC-SA 4.0 licence.
Figure 7. Giuseppe Zocchi: the Piazza della Signoria in Florence on the feast day of St John the Baptist, 1744. Print made by Carlo Gregori.

Figure 8. Giambologna: Cosimo I de Medici. 1594.

Image: Photograph by Marie-Lan Nguyen, via Wikimedia Commons. Licenced under the CC-BY 2.5. licence.
Figure 8. Giambologna: Cosimo I de Medici. 1594.

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