A heterotopic perception of ‘wall’ in psychological thriller films: a place, a labyrinth and a panoptic power

Figures & data

Figure 1. Neuendorf House: The Wall, Unwin (2015), reproduced by Mais Dweiri.

Figure 2. Neuendorf House: Main Paths, Unwin (2015), reproduced by Mais Dweiri.

Figure 3. (a) Wall becomes a place: A conceptual map of the imagined wall of Dr Juliet’s flat at The Resident 2011, authors. (b) Wall becomes a place: A conceptual map of the imagined wall of the ground level of the boy, The Boy 2016, authors. (c) Wall becomes a place: A conceptual map of the imagined wall of the upper level of the boy, The Boy 2016, authors.

Figure 4. Gretta looks at her room through the wall, The Boy 2016, reproduced by Mays Dweiri.

Figure 5. (a) Wall as labyrinth, Max’s labyrinth, The Resident 2011, authors. (b) Wall as labyrinth, The boy’s labyrinth, The Boy 2016, authors.

Unwin, S. (2015). Twenty five buildings every architect should understand: A revised and expanded edition of twenty buildings every architect should understand. Routledge.

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