The art history of Indonesian Banteng stamps

Figures & data

Table 1. The stages of iconography and iconology.

Interpretation objects	Interpretation actions	Interpretation tools	Corrective principles and interpretations
Primary or natural subject matter (factual and expressive)	Iconographical description	Practical experience	The history of style
Secondary or conventional subjects	Iconographical analysis	Knowledge of literary sources	The history of types
Intrinsic meaning or symbolic content	Iconological interpretation	Synthesis intuition	The history of cultural symptoms

Source: Panofsky (1955).

Figure 1. The revolution series including Banteng stamps.

Source: Carollina (2016).

Panofsky, E. (1955). Meaning in the visual arts. Doubleday & Company, Inc.

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Carollina, D. (2016). Tinjauan ikonografi dan ikonologi ilustrasi kemasan produk Seduh Teh Cap Botol. Nirmana, 16(1), 50–12. https://doi.org/10.9744/nirmana.16.1.50-63

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Data availability statement

The author confirms that the data supporting the findings of this study is available in the article and/or its Supplementary Materials.