https://orcid.org/0000-0002-6297-026X
Figures & data
Figure 1. (Student D) is an image of a performance installation, containing white T-shirts with images of breasts that have been through mastectomy surgeries printed on them. There is a painting propped up on an easel of a naked woman in the background. There are dark curtains at the back.
Figure 2. (Student D) shows a young white woman with her blonde hair tied back, who is wearing a white T-shirt with an image of breasts that have been through mastectomy surgery printed on it. She is posing in a way that imitates a painting behind her – the painting is of the top half of a naked woman with both breasts.
Figure 3. (Student C) shows an image from, cardboard square that says ‘Can movement improvisation enhance Body-mind Connection through Kinesthetic awareness?’.
Figure 4. (Student C) shows two projected images on a white brick wall in a studio with the backs of the audience visible in the foreground. The projected images are moments from video projections of various people moving in a studio dance workshop.
Figure 5. (Student A) shows two large projected images on a wall – firstly, a number of bricks placed in rows and, secondly, a video projection overlooking London near Grenfell Tower. In front of the projections are a pile of bricks placed as though they are rubble.
Figure 6. (Student A) shows two large projected images on a wall. Firstly, a number of bricks placed on top of each other with the performer (a white young woman wearing black shoes and shorts and a cream crop top) placing bricks on top of each other with one brick falling from the top of the tower. Secondly, a video projection overlooking London near Grenfell Tower. In front of the projections are a pile of bricks placed as though they are rubble, and the performer lies naked live in the space on her side with her back to the audience.
