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Research Articles

Practical worlds: enskilment as pedagogical practice

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Pages 95-109 | Received 16 Jul 2023, Accepted 23 Sep 2023, Published online: 08 Oct 2023

Figures & data

Figure 1. Posters for the Australasian, European and American releases of Punch in October 2022; November 2022, and April 2023 respectively Ings, Citation2022a. A trailer for the film is available at https://www.youtube.com/watch?v = FSnrEUFomVc The movie is available on multiple platforms including Google Play at: https://play.google.com/store/movies/details/Punch?id = cocDrK8SupU.P&hl = en&gl = US

Figure 1. Posters for the Australasian, European and American releases of Punch in October 2022; November 2022, and April 2023 respectively Ings, Citation2022a. A trailer for the film is available at https://www.youtube.com/watch?v = FSnrEUFomVc The movie is available on multiple platforms including Google Play at: https://play.google.com/store/movies/details/Punch?id = cocDrK8SupU.P&hl = en&gl = US

Figure 2. On-set cast and crew photograph (23 November 2020). People in this image constituted less than half of the 32 scripted actors, 171 production and postproduction crew, and 127 extras involved in the production.

Figure 2. On-set cast and crew photograph (23 November 2020). People in this image constituted less than half of the 32 scripted actors, 171 production and postproduction crew, and 127 extras involved in the production.

Figure 3. Working with the director and casting agency, students became an integrated part of a team where standards and cultures of practice became manifest. Through immersion in often insalubrious (but real world) environments, I crafted opportunities for them to consider the implications of what they were co-creating in their own research.

Figure 3. Working with the director and casting agency, students became an integrated part of a team where standards and cultures of practice became manifest. Through immersion in often insalubrious (but real world) environments, I crafted opportunities for them to consider the implications of what they were co-creating in their own research.

Figure 4. Sketches I created of the proposed whare and its environment two months in advance of its design and construction.

Figure 4. Sketches I created of the proposed whare and its environment two months in advance of its design and construction.

Figure 5. Exterior and interior photographs of the completed set – created across October, November and December 2020.

Figure 5. Exterior and interior photographs of the completed set – created across October, November and December 2020.

Figure 6. Group photograph of five of the six PhD candidates who took part in the enskilment initiative and shots of the production environment inside which they dwelt.

Figure 6. Group photograph of five of the six PhD candidates who took part in the enskilment initiative and shots of the production environment inside which they dwelt.

Figure 7. Landscape sketches and details in locations I considered for the film’s opening sequence.

Figure 7. Landscape sketches and details in locations I considered for the film’s opening sequence.

Figure 8. Frame grabs from the 90-second title sequence for the feature film Punch (2022).

Figure 8. Frame grabs from the 90-second title sequence for the feature film Punch (2022).