Greek orthodox music in Ottoman Istanbul: nation and community in the era of reform, by Merih Erol

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Notes

1. M. Hatziyiakoumis, Η ϵκκλησιαστική μουσική του ϵλληνισμού μϵτά την Άλωση (1453–1820). Σχϵδίασμα ιστορίας [The Ecclesiastical Music of Hellenism after the Fall of Constantinople (1453–1820), Historical Sketch] (Athens: Centre for Research & Publications, 1999).

2. M. Jackson, Mixing Musics: Turkish Jewry and the Urban Landscape of a Sacred Song (Stanford, CA: Stanford University Press, 2013); A. Kerovpyan and A. Yılmaz, Klasik Osmanlı Müziği ve Ermeniler [Classical Ottoman Music and the Armenians] (Istanbul: Surp Pırgiç Ermeni Hastanesi Vakfı, 2011). For a comprehensive overview of the subject, see also W. Feldman, Ottoman Music, accompanying booklet to CD Osmanlı Türk Müziği Antolojisi, Lâlezâr topluluğu [Ottoman Turkish Anthology, Lâlezâr ensemble] (İstanbul: Kültür A.Ş., İstanbul Büyükşehir Belediyesi, 2000), pp.54–64.

3. C. Behar, Şeyhülislâm'ın Müziği: 18. Yüzyılda Osmanlı/Türk Musıkisi ve Şeyhülislâm Es'ad Efendi'nin Atrabü'l-Âsâr'ı. [The Music of the Şeyhülislam. 18th Century Ottoman/Turkish Music and the Atrabül-âsârı of Şeyhülislâm Esad Efendi] (Istanbul: YKY, 2010), p.172.

4. N. Ergin, ‘The Soundscape of Sixteenth-Century Istanbul Mosques: Architecture and Qur'an Recital’, Journal of the Society of Architectural Historians, Vol.67 (2) (2008), pp.204–21.

5. C. Behar, Şeyhülislam’ın Müziği, pp.158–62.