An analytical and comparative study of male and female images in Qajar dynasty paintings during the reign of Fath-Ali Shah (1797–1834)

ABSTRACT

Qajar dynasty painting began in the reign of Fath-Ali Shah (1797–1834) and ended with the death of Naser al-Din Shah (1831–1896). In this period, art was influenced by the government; new rules assigned to art as to sociopolitical conditions and figurative paintings were exploited as a tool in governing the country. In the paintings ascribed to Fath-Ali Shah's period, women also appear alongside the images of men who were principally historical, political and religious key figures of their own time. The significant status of women was the most important factor in this. These images were not merely limited to eminent characters as musicians, dancers, servants, acrobats images were drawn as delicately and magnificently as male images and even enjoyed better radiance, vivacity, pep, variety and tonality than them. Male images were elegantly drawn in formal costumes, often with the same composition. The similarities and differences of male and female images in Qajar paintings can be assessed according to the criteria of composition, colour, positioning, and the number of figures, assimilation, the intricacies and the degree of characterization. This study also stresses the characteristics of men's and women's images in the paintings.

Disclosure statement

No potential conflict of interest was reported by the authors.

Notes

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10. Pakbaz, pp.150–1.

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12. Ibid, pp.65–6.

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18. Serena, p.59.

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