Rock art preservation: improved and ecology‐based methods can give weathered sites prolonged life

Abstract

Rock art is defined as systematic and man‐made depressions or paintings on a smooth rock surface. In contrast to other cultural monuments, they have hardly any ecological importance. Nevertheless rock art sites should be regarded as a part of the landscape, both with respect to interpretation and preservation. The method of gluing together fragmented rock art panels with an organic glue, and the repairing of cracks on rock art panels by mortar, are criticised. The author raises doubts about the ‘crumbling effect’ of mosses and the effect of ‘aggressive lichen’, postulated by other authors. The need for a long time perspective and international co‐operation in rock art preservation and conservation is underlined, and it is emphasized that experiments with new methods of conservation should be done on panels without rock art. Based on observations of an accidentally covered rock art panel in Gudbrandsdalen, Norway, a new and reversible method for stabilisation of severely weathered rock art panels is proposed, using dissolved calcium carbonate which is precipitated in a calcification process on the weathered rock and in cracks.

ACKNOWLEDGEMENTS

I express my gratitude to Arne Johan Nærøy and Olav Walderhaug for invaluable assistance on the English text and for important corrections concerning respectively archaeology and geology.