Abstract
The aim of this paper is to discuss a specific group of stamped gold foils with human representation from the late Scandinavian Iron Age (AD 550/600–800) from the perspective of size. The article argues that the framed gold foils embed sophisticated and multi-layered transformations that capture and echo basic principles of northern cosmology and belief systems related to Odin as the god for kings and his ability as a seer.
ACKNOWLEDGEMENTS
A first draft of this article was published in 2014: Gender on Display: Scrutinizing the Gold Foil Figures, in H. Alexandersson, A. Andreeff and A. Büns, eds., Med Hjärta och Hjärna. En vänbok till professor Elisabeth Arwill-Nordbladh (GOTARC, Gothenburg University, 277–293).
I would like to thank Mogens Bo Henriksen, Odense Bys Museer, for permission to reproduce ; Peter Vang Petersen, the National Museum, Copenhagen, for permission to reproduce ; Tom Christensen, Roskilde Museum, for permission to reproduce Fig. 7; Marie Amundsen, University of Oslo, for help with technical practicalities; and Ulla Mannering, the National Museum, Copenhagen, for access to her unpublished PhD dissertation. I am grateful to Julie Lund, University of Oslo, who encouraged me to write the article, and to the two anonymous reviewers for their thoughtful comments. Needless to say, I am the only one responsible for the result.