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Forum: Scholarship and Community: Engaging the Work of Daniel C. Brouwer edited by Robert Asen, Catherine R. Squires, and Charles E. Morris III

Against its gravity

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Pages 203-208 | Received 10 Mar 2022, Accepted 14 Mar 2022, Published online: 26 May 2022
 

Notes

1 Kimberlee Pérez and Daniel C. Brouwer, “Potentialities and Ambivalences in the Performance of Queer Decorum,” Text and Performance Quarterly 30, no. 3 (2010): 317–318, https://doi.org/10.1080/10462937.2010.483098.

2 Pérez and Brouwer, “Potentialities and Ambivalences in the Performance of Queer Decorum,” 318.

3 Pérez and Brouwer, “Potentialities and Ambivalences in the Performance of Queer Decorum,” 318.

4 Daniel C. Brouwer, “Corps/Corpse: The U.S. Military and Homosexuality,” Western Journal of Communication 68, no. 4 (2004): 414, https://doi.org/10.1080/10570310409374811.

5 Brouwer, “Corps/Corpse,” 413.

6 Brouwer, “Corps/Corpse,” 414.

7 Brouwer, “Corps/Corpse,” 415.

8 Brouwer, “Corps/Corpse,” 427.

9 Daniel C. Brouwer, Brandon B. Ferderer, Eddie Gamboa, Hadar Kramer, and Elisabeth Mistretta, “Toward a Critical Pedagogical Syllabus of the HIV/AIDS Epidemic,” Liminalities: A Journal of Performance Studies 8, no. 5 (2012): 119, http://liminalities.net/8-5/syllabus.pdf.

10 Brouwer et al., “Toward a Critical Pedagogical Syllabus of the HIV/AIDS Epidemic,” 125.

11 Brouwer et al., “Toward a Critical Pedagogical Syllabus of the HIV/AIDS Epidemic,” 126–127.

12 Brouwer et al., “Toward a Critical Pedagogical Syllabus of the HIV/AIDS Epidemic,” 127.

13 Brouwer et al., “Toward a Critical Pedagogical Syllabus of the HIV/AIDS Epidemic,” 126.

14 Daniel C. Brouwer and Charles E. Morris III, “Decentering Whiteness in AIDS Memory: Indigent Rhetorical Criticism and the Dead of Hart Island,” Quarterly Journal of Speech 107, no. 2 (2021): 161, https://doi.org/10.1080/00335630.2021.1905868.

15 Daniel C. Brouwer, “The Precarious Visibility Politics of Self-Stigmatization: The Case of HIV/AIDS Tattoos,” Text and Performance Quarterly 18, no. 2 (1998): 127, https://doi.org/10.1080/10462939809366216.

16 Shuzhen Huang and Daniel C. Brouwer, “Coming Out, Coming Home, Coming With: Models of Queer Sexuality in Contemporary China,” Journal of International and Intercultural Communication 11, no. 2 (2018): 97–116, https://doi.org/10.1080/17513057.2017.1414867.

17 Shuzhen Huang and Daniel C. Brouwer, “Negotiating Performances of ‘Real’ Marriage in Chinese Queer Xinghun,” Women's Studies in Communication 41, no 2 (2018):146, https://doi.org/10.1080/07491409.2018.1463581.

18 Pérez and Brouwer, “Potentialities and Ambivalences in the Performance of Queer Decorum,” 318.

19 Pérez and Brouwer, “Potentialities and Ambivalences in the Performance of Queer Decorum,” 317–318.

20 Kimberlee Pérez, Jason Zingsheim, Aimee Carillo Rowe, Dustin B. Goltz, and Daniel C. Brouwer, “Queer Love: Normative Shame and Queer Temporalities,” in Queer Praxis: Questions for LGBTQ Worldmaking, ed. Dustin B. Goltz and Jason Zingsheim (New York: Peter Lang, 2015), 84.

21 Pérez and Brouwer, “Potentialities and Ambivalences in the Performance of Queer Decorum,” 319.

22 Pérez et al., “Queer Love,” 84.

23 Huang and Brouwer, “Negotiating Performances of ‘Real’ Marriage in Chinese Queer Xinghun,” 150.

24 Huang and Brouwer, “Negotiating Performances of ‘Real’ Marriage in Chinese Queer Xinghun,” 154.

25 Brouwer, “The Precarious Visibility Politics of Self-Stigmatization,” 129.

26 Catherine R. Squires, Eric King Watts, Mary Douglas Vavrus, Kent A. Ono, Kathleen Feyh, Bernadette Marie Calafell, and Daniel C. Brouwer, “What Is This ‘Post-’ in Postracial, Postfeminist … (Fill in the Blank)?,” Journal of Communication Inquiry 34, no. 3 (2010): 246, https://doi.org/10.1177%2F0196859910371375.

27 Squires et al., “What Is This ‘Post-’ in Postracial, Postfeminist … (Fill in the Blank)?,” 246–247.

28 Squires et al., “What Is This ‘Post-’ in Postracial, Postfeminist … (Fill in the Blank)?,” 246.

29 Squires et al., “What Is This ‘Post-’ in Postracial, Postfeminist … (Fill in the Blank)?,” 249.

30 Brouwer and Morris, “Decentering Whiteness in AIDS Memory.”

31 Pérez and Brouwer, “Potentialities and Ambivalences in the Performance of Queer Decorum,” 321.

Additional information

Notes on contributors

Dustin Bradley Goltz

Dustin Bradley Goltz is Vincent de Paul Professor in the College of Communication at DePaul University.

Jason Zingsheim

Jason Zingsheim is Professor and Interim Dean of the College of Arts and Sciences at Governors State University.

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