ABSTRACT
Zinc (carboxylate) soaps, formed by reactions between zinc oxide (ZnO) and fatty acids in a drying oil, are known to cause deterioration in the paint layers of modern and contemporary oil paintings. This study investigates zinc carboxylates that developed in an oil painting test panel designed to mimic the aging and degradation encountered in actual works of art. Following accelerated and natural aging, protrusions were noted on the surface of the test panel. A large protrusion with erupted gel features was extracted from the test panel, mounted in top view, and then cut to reveal the sample's cross section. The gel features, which resulted from the unreacted oil binder's separation from the paint matrix, facilitated zinc carboxylate formation. Using reflectance µ-FTIR and SEM-EDX analysis, the morphologies and spatial distributions of zinc carboxylates within the gel regions of the protrusion were studied. A concentration gradient of zinc within the gel material was observed in the cross-sectional view, indicating patterns of zinc carboxylate formation and migration.
Acknowledgments
The authors wish to thank Dr Reneé S. Anderson (NMAAHC), Dr. Tuliza Fleming (NMAAHC) and Jessica Johnson (MCI) for their encouragement to undertake research related to modern paintings, as well as Jennifer Giaccai (Freer Sackler Gallery), for her advice and review. J. Taillon thanks Dr Chandler Becker (NIST) and Dr Andrew Herzing (NIST) for their reviews.
Disclosure statement
No potential conflict of interest was reported by the authors.
ORCID
G. Asher Newsome http://orcid.org/0000-0003-1683-2197
Joshua A. Taillon http://orcid.org/0000-0002-5185-4503
Nicole Little http://orcid.org/0000-0002-9533-3187
Data availability statement
The data that support the findings of this study are openly available in the NIST Public Data Repository at https://doi.org/10.18434/M32082
Correction Statement
This article has been republished with minor changes. These changes do not impact the academic content of the article.