Notes
1 Cohen’s Sensible Words analyzes an array of eighteenth-century rhetorical treatises and briefly comments on their effect on literary representations. For a more extensive analysis of the relationship between eighteenth-century theories of acoustic experience and novels, see Amit Yahav’s “Sonorous Duration: Tristram Shandy and the Temporality of Novels.”
2 From the title page of Sheridan’s British Education. All other quotations from this work are cited as BE.
3 From Sheridan’s A Course of Lectures on Elocution, xii. All other quotations from this work are cited as CL.
4 On Samuel Whyte’s relationship with Sheridan and his theories, see Benzie 19.
5 For an analysis of the postcolonial possibilities of Unca Eliza as a figuration of the in-between, see Betty Joseph’s “Re(playing) Crusoe/Pocahantas: Circum-Atlantic Stagings in The Female American.”