ABSTRACT
This Afterword finds that the collection, ‘The Art of Gardens’, encourages one to extend the notion of gardens as art to art, including the anthropologist’s own efforts, as a garden.
Acknowledgement
I owe my engagement with Amerindian materials to the Amazonian-Melanesian axis of the International Balzan Foundation research project, ‘Time and the ethnographic horizon in moments of crisis’ (Centre for Pacific Studies, University of St Andrews).
Disclosure Statement
No potential conflict of interest was reported by the author(s).