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Notes
240 Branisa, 1957; Costas Arguedas, 1949; Ibarro Grasso, 1944 a.
241 Ibarra Grasso, 1943 a, 1943 b, 1943 c, 1944 b, 1944 c; other short newspaper articles.
242 Branisa, 1957.
243 On the definition of “ware” see Colton, 1953: 51, 55; 1995: 2
244 Walter, 1962.
245 Metraux, 1933; Posnansky, 1957; Ruben, 1952; Rydén, 1944; Trimborn, 1959.
246 Ibarra Grasso, 1947 d.
247 Personal communication (by letter).
248 Bennett, 1934, Form q (spouted bowl); Ryden, 1956, Form 30.
249 Bennett, Bleiler, Sommer, 1948: 65, fig. 15 a and b.
250 Bennett, Bleiler, Sommer, 1948: Plate 7 B and D.
251 Walter, 1962.
252 One is depicted in Walter, 1962: 448, illustration 6.
253 Branisa, 1957.
254 Branisa, op cit.; we see these as belonging to the Yampara style: the vessels in Fig. 97 (kero), Figs. 99, 100, 101 (three-footed vessels); also, the fragment in Fig. 107. The challador in Fig. 98 corresponds to our Chuquisaca Fine Ware. Also the design on the crude kero in Fig. 96 is in fact a Yampara design. Only the diagonal arrangement is reminiscent of the Mojocoya Tricolor style.
255 e.g., Disselhoff, 1962: 444.
256 Nordenskiöld, 1913: 219, fig. 51.
257 Boman and Greslebin, 1923; Bennet, Bleiler, Sommer 1948: 103, fig. 18 K, L.
258 Bennett, 1936: 404.
259 Bird, 1953: 221, fig. 14; Niemeyer, 1959: 65 and fig. 17. See also vessels depicted by Ibarra Grasso, 1957 a: 253, 257, which more probably come from Chullpamoko (Pucher collection at the Sucre University Museum).
260 Bennett, Bleiler, Sommer, 1948: 103.
261 Walter, 1959 b.
262 Wendt, Schneekloth, and Budde, 1962. A combination of the two dates results in an average age of AD 880 ± 80 (Dr. Wendt, in a letter dated 6 October 1960).