The Caucasian Connection: National Identity in the Ballets of Aram Khachaturian

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Notes

1. Shostakovich, “Aram Khachaturian.”

2. Tigranov, Balety Arama Khachaturiana, 7–8.

3. Ibid., 23.

4. Ibid., 24.

5. Katonova, Muzyka sovetskogo baleta, 140.

6. Tigranov, Balety Arama Khachaturiana, 57.

7. Ibid., 59.

8. Ibid., 70.

9. Iuzefovich, Aram Khachaturian, 138.

10. Ibid., 139.

11. Ibid., 140.

12. Khachaturian, Gayane. Partitura, t. 1, 12.

13. Tigranov, Balety Arama Khachaturiana, 91–92.

14. Quoted in Iuzefovich, Aram Khachaturian, 142.

15. Marx and Engels, Works, 15.

16. Lenin, Sochineniia, 444.

17. Khachaturian, “Balet ‘Spartak.”

18. Khachaturian, “O balete ‘Spartak,” 10.

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Notes on contributors

Harlow Robinson

Harlow Robinson, Professor of Modern Languages and History, Northeastern University, Boston, MA, USA. Email: [email protected]