This Makes Artists; This Makes Citizens

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Notes

1. Ann Cooper Albright and David Gere, eds., Taken by Surprise: A Dance Improvisation Reader (Middletown, Conn.: Wesleyan University Press, 2003).

2. Cynthia Jean Novack, Sharing the Dance: Contact Improvisation and American Culture (Madison: University of Wisconsin Press, 1990).

3. Faculty directory, Eugene Lang College of the New School for Liberal Arts, New York City, http://www.newschool.edu/lang/faculty.aspx?id=11130 (accessed June 6, 2011).

4. Roland Barthes, The Pleasure of the Text, trans. Richard Miller (New York: Hill and Wang, 1975), and The Responsibility of Forms, trans. Richard Howard (Berkley: University of California Press, 1985).

5. Barbara Browning. “Choreographing Postcoloniality: Reflections on the Passing of Edward Said,” Dance Research Journal, vol. 35/36, no. 2/1 (2003): 164–69.

6. Martin Oppenheimer and George Lakey, A Manual for Direct Action (Chicago: Quadrangle Books, 1964).

7. Joan M. Reynolds, “‘Pragmatic Humanism’ in Foucault's Later Work,” Canadian Journal of Political Science, vol. 37, no. 3 (2004): 951–77.

8. Michael Foucault, “Technologies of the Self” and “The Ethics of the Concern for the Self as a Practice of Freedom,” in Ethics: Subjectivity and Truth, ed. Paul Rabinow (New York: The New York Press, 1994), 223–51, 281–301.