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Notes
1R. S. Crane, ed., Critics and Criticism (Chicago: University of Chicago Press, 1952).
Jack Anderson juxtaposed Cassidy and Barzel quotes to give a well-rounded picture in his book, The One and Only, the Ballet Russe de Monte Carlo (New York: Dance Horizons, 1981).
2Grace Robert, The Borzoi Book of Ballet (New York: Alfred A. Knopf, 1946).
3Walter Sorell, The Dance Has Many Faces (Cleveland, Ohio: World Publishing, 1951); Joseph Gregor, Kulturgeschichte des Balletts (Vienna: Gallus Verlag, 1944).
4Heinrich Heine, “Paris—7 Februar 1842,” Augsburger Allgemeine Zeitung, reprinted in Heinrich Heine, Lutezia XLII in Vermischte Schriften (Hamburg: Hoffmann und Campe, 1854).
5Heinrich von Kleist, “Über das Marionettentheater [On Puppet Theater],” Berliner Abendblaetter, December 12–15, 1810.
6Edwin Denby, Looking at the Dance (New York: Pellegrini and Cudahy, 1949).
7Carl Van Vechten, Parties (New York: Alfred A. Knopf, 1930).
Editing became exhilarating with writers such as I would have in Jack Anderson and Kathrine Sorley Walker (De Basil's Ballets Russes [London: Hutchinson, 1982]).
Twice I got the Post's front page for a dance story: for the death of America's prima ballerina emerita, Alexandra Danilova (I had to cede the byline to the obit writer) and for Australian aboriginals dancing on the National Mall against a stunning sunset over the Potomac.
8Nancy Goldner, Balanchine Variations (Gainesville: University Press of Florida, 2008). See my “Bulletin from Berlin 2,” May 8, 2006, http://archives.danceviewtimes.com/2006/Spring/06/berlin2.html (accessed January 31, 2014).