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Abstract
An interdisciplinary introduction to postevolutionary performance artist Stelarc and aspects of some human-technology hybrid tropes in which he works: Obsolete Body Suspensions with hooks in the skin; an expanding, beeping, Stomach Sculpture, which he ingested and filmed; the “Ping Body” event during which his limbs (arm, leg) were controlled with electric stimulation by an Internet audience, while simultaneously Stelarc controlled a prosthetic robotic “Third Hand” with repurposed muscles in his abdomen and leg; and a tissue-culture installment under the skin of his forearm—his Third Ear—which is meant to contain a microphone and relay audio to an online audience. The article reviews critical contexts such as cyberpunk literature, biological and data networks, embodiment, scientific practices, electric body manipulation, and aesthetic and interpretive concerns. It closes with an account of the author's personal encounter with Stelarc at a dinner party, and the role of emotions, such as fear, in postevolution.
Acknowledgments
© Michael Filas
Notes
1. Stelarc's body suspension is similar to that undertaken in the contemporary subculture for modern primitivism where piercing, suspension, and body modification are practiced as religious rites without the hybridity emphasis.
2. On May 24, 2001, Reuters reported the use of an ingestible camera in experimental use in Israel and Britain as a means of diagnosis for stomach and bowel problems. While the previous method of diagnosis was a much more invasive and surgical endoscopy, this method is painless and allows the patient to proceed with normal activities during the 24 hours it takes to pass through the system. In many ways, Stelarc's internal camera performances of the 1970s foreshadowed this development, but without the medical contexts.