Introduction to transmedia adaptations of literary “classics” in 20th–21st-century artistic expression

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Notes

1 Jørgen Bruhn, Anne Gjelsvik, and Eirik Frisvold Hanssen, “‘There and Back Again’: New Challenges and New Directions in Adaptation Studies,” in Adaptation Studies: New Challenges, New Directions, ed. Jørgen Bruhn, Anne Gjelsvik, and Eirik Frisvold Hanssen (London: Bloomsbury Academic, 2013), 1–16, at 4.

2 Ankhi Mukherjee, “‘What Is a Classic?’: International Literary Criticism and the Classic Question,” PMLA 125, no. 4 (2010): 1026–42, at 1028.

3 Ibid.

4 David Damrosch, What is World Literature? (Princeton: Princeton University Press, 2003), 139–40.

5 Ibid.

6 Mukherjee, “‘What Is a Classic?,’” 1039.

7 Bruhn et al., “‘There and Back Again,’” 3.

8 Ibid.

9 Yvonne Griggs, The Bloomsbury Introduction to Adaptation Studies: Adapting the Canon in Film, TV, Novels and Popular Culture (London: Bloomsbury Academic, 2016).

10 Bruhn et al., “‘There and Back Again,’” 2.

11 Griggs, Bloomsbury Introduction to Adaptation Studies, 6.

12 Bruhn et al., “‘There and Back Again,’” 5.

13 George Bluestone, Novels into Film (Baltimore: John Hopkins University Press, 1957).

14 Ibid., 5.

15 Geoffrey Wagner, The Novel and the Cinema (Rutherford: Fairleigh Dickinson University Press, 1975).

16 Griggs, Bloomsbury Introduction to Adaptation Studies, 2.

17 Bruhn et al., “‘There and Back Again,’” 7.

18 Linda Hutcheon, A Theory of Adaptation (London: Routledge, 2006).

19 Bruhn et al., “‘There and Back Again,’” 8.

20 Kamilla Elliott. “Theorizing Adaptations/Adapting Theories,” in Bruhn et al., Adaptation Studies, 19–46.

21 Bruhn et al., “‘There and Back Again,’” 9.