The Evolution of Ethnomusicology

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Notes

¹Frank Harrison, Time, Place and Music: An Anthology of Ethnomusicological Observation c.1500 to c.1800 (Amsterdam, 1973).

²Robert L. Hardgrave, Jr, and Stephen M. Slawek, ‘Instruments and Music Culture in Eighteenth-Century India: The Solvyns Portraits’, Asian Music, 20 (1988), 1–92.

³Joep Bor, ‘The Rise of Ethnomusicology: Sources on Indian Music c.1780–c.1890’, Yearbook for Traditional Music, 20 (1988), 51–73.

⁴Gerry Farrell, Indian Music and the West (Oxford, 1997), 8.

⁵Ian Woodfield, ‘The Hindostannie Air: English Attempts to Understand Indian Music in the Late Eighteenth Century’, Journal of the Royal Musical Association, 119 (1994), 189–211.

⁶Nicholas Cook, ‘Encountering the Other, Redefining the Self: Hindostannie Airs, Haydn's Folksong Settings and the “Common Practice” Style’, Musical Orientalism in the British Empire, 1780s–1940s: Portrayal of the East, ed. Martin Clayton and Bennett Zon (Aldershot, 2007), 13–38.

⁷Thomas Williamson, The European in India (London, 1813), caption to plate 15.

⁸Fitzwilliam Museum, Cambridge, MS 380.

⁹Stephen Jay Gould, ‘Introduction’ to Carl Zimmer, Evolution: The Triumph of an Idea (London, 2002), xi–xiv (p. xii).

¹⁰Charles Russell Day, ‘Notes on Indian Music’, Proceedings of the Musical Association, 20 (1893–4), 45–66 (p. 45).

¹¹Martin Clayton, ‘A. H. Fox-Strangways and The Music of Hindostan: Revisiting Historical Field Recordings’, Journal of the Royal Musical Association, 124 (1999), 86–118.