Notes
1See Valérie Dufour, Stravinski et ses exégètes (1910–1940) (Brussels, 2006), 213–44.
2Igor Stravinsky, Poetics of Music in the Form of Six Lessons (3rd edn, Cambridge and London, 1970), 30, 31.
3Pierre Souvtchinsky, ‘La notion du temps et la musique (réflexions sur la typologie de la création musicale)’, Revue musicale, 20/191 (May–June 1939), 70–80.
4For instance, see Edward Campbell, Boulez, Music and Philosophy (Cambridge, 2010).
5Two noteworthy exceptions are Sergei Glebov, ‘Science, Culture, and Empire: Eurasianism as a Modernist Movement’, Slavic and East European Information Sources, 4/4 (2003), 13–31, and Sergey Glebov, ‘Le frémissement du temps: Petr Suvchinsky, l'eurasisme et l'esthétique de la modernité’, Pierre Souvtchinski: Cahiers d’étude, ed. Eric Humbertclaude (Paris, 2006), 163–223.
6 (Re)Lire Souvtchinski, ed. Eric Humbertclaude (La Bresse, 1990).
7Pierre Souvtchinsky, Un siècle de musique russe (1830–1930): Glinka, Moussorgsky, Tchaïkowsky, Strawinsky; et autres écrits: Strawinsky, Berg, Messiaen et Boulez, ed. Frank Langlois (Arles, 2004).
8Richard Taruskin, Defining Russia Musically: Historical and Hermeneutical Essays (Princeton, NJ, 1997), xiv.
9Gerald Abraham, ‘M. D. Calvocoressi (1877–1944)’, Musical Times, 85 (1944), 84.
10Francesco Parrino, ‘Alfredo Casella and the Montjoie! Affair’, Repercussions, 10 (spring 2007), 91–118.
11Scott Messing, Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic (Rochester, NY, 1996); and Dufour, Stravinski et ses exégètes.
12Richard Taruskin, ‘Stravinsky and Us’, The Cambridge Companion to Stravinsky, ed. Jonathan Cross (Cambridge, 2003), 260–84.
13 Richard Taruskin, ‘Stravinsky and Us’, The Cambridge Companion to Stravinsky, ed. Jonathan Cross (Cambridge, 2003), 260.
15Stravinsky, Poetics of Music, 141–2.
14Igor Stravinsky, An Autobiography (New York, 1962), 53.
16Stravinsky, An Autobiography, 54.
17Stravinsky, Poetics of Music, 29–33.
18 Stravinsky, Poetics of Music, 31.
19Stravinsky, Poetics of Music, 70.
20 Stravinsky, Poetics of Music, 70–4.