Notes
1Richard Strauss, Recollections and Reflections, ed. Willi Schuh, trans. L. J. Lawrence (London, 1953).
2‘Reflection’ is closer to the original German, Nachdenken, than the ‘meditation’ chosen by Lawrence in Recollections and Reflections, 13. The ‘first-class second-rate composer’ remark is widely quoted, for example in Norman Del Mar, Richard Strauss: A Critical Commentary on his Life and Works, 3 vols. (London, 1962–72), i, p. xii.
3Carolyn Abbate, ‘Elektra's Voice: Music and Language in Strauss's Opera’, Richard Strauss: Elektra, ed. Derrick Puffett, Cambridge Opera Handbook (Cambridge, 1989), 107–27 (p. 117).
4Theodor W. Adorno, ‘Richard Strauss: Born June 11, 1864’, trans. Samuel and Shierry Weber, Perspectives of New Music, 3 (1964), 14–32; 4 (1965), 113–29. Glenn Gould, ‘An Argument for Richard Strauss’, The Glenn Gould Reader, ed. Tim Page (New York, 1984), 84–92.
5Leon Botstein, ‘The Enigmas of Richard Strauss: A Revisionist View’, Richard Strauss and his World, ed. Bryan Gilliam (Princeton, NJ, 1992), 3–32 (p. 14).
6Wayne Heisler, Jr, The Ballet Collaborations of Richard Strauss (Rochester, NY, 2009), 5.
7Michael Kennedy, ‘Introduction: The Warmer Climate for Strauss’, Richard Strauss: New Perspectives on the Composer and his Work, ed. Bryan Gilliam (Durham, NC, and London, 1992), xi–xvii.