Abstract
In early twentieth-century Halifax, municipal policies of property taxation and assessment became an important object of political discussion and contestation. Central to these political contests was a particular, theoretically informed distinction between “land” and “improvements.” This distinction would ultimately ground a set of changes in municipal taxation and assessment (introduced between 1914 and 1918) and would help to constitute a new and consequential logic of state action within property relations. Drawing on the literature on property “enactment,” this article examines how early twentieth-century struggles over municipal taxation and assessment reshaped the prevailing understanding of real property in the city of Halifax. Consistent with existing research, I demonstrate how a new perspective on property—including a new distinction between land and improvements—gradually came into being through a series of performances, practices and material devices. Embedded within this new perspective, crucially, was a specific logic of dispossession, a new and calculative rationale for the expropriation and redevelopment of the city’s “underimproved” land. While the literature on property enactment has quite often investigated practices of dispossession, I point out that its analysis of dispossession’s logic or rationale has tended to be confined to a single property theorist, John Locke, and his justifiably famous distinction between land and improvements. Emphasizing the rather different, post-Lockean conception of property that emerged in early twentieth-century Halifax, I suggest that more attention ought to be paid to the multiple and varying logics of dispossession that are liable to be contained within prevailing property enactments.
Acknowledgements
Helpful comments on earlier drafts were provided by Trevor Barnes, Nicholas Blomley, Elvin Wyly and the anonymous reviewers. Thank you all.