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Corrigendum

Corrigendum

This article refers to:
Critical Interpretation of Hybrid K-Pop: The Global-Local Paradigm of English Mixing in Lyrics

Jin, D.Y. and Ryoo, W. (2012) Critical Interpretation of Hybrid K-Pop: The Global-Local Paradigm of English Mixing in Lyrics, Popular Music and Society, http://dx.doi.org/10.1080/03007766.2012.731721

When the above article was published online, the following updates were not incorporated:

On page 3: “no single model can control all the process of hybridization (Bhabha; Kraidy 75–76)” should have been “no single model… (Wang; Bhabha; Kraidy).”

On page 3: “Bhabha (214–216) and Joseph also claim that domination within a culture…” should have been “Pieterse (77), Bhabha (214–216) and Joseph also claim that domination within a culture…”

The following reference should have been added to the References:

Wang, Wei-ching. “A Critical Interrogation of Cultural Globalization and Hybridity: Considering Chinese Martial Arts Films as an Example.” Journal of International Communication 14.1 (2008): 46–64. Print.

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