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Articles

Whistlin’ Past Graveyards: The Drive-By Truckers and Southern Identity

Pages 419-437 | Published online: 18 May 2018
 

Abstract

Through their discursive participation, rock musicians work to shape and reshape perceptions of identity and place. It is within these spaces that this essay considers the work of a deeply southern band, the Drive-By Truckers. Using three dimensions of Jeanne Hurlbert’s test of southern distinctiveness as overlapping lenses, the study undertakes a sociolinguistic analysis of the band’s music and history to draw a complex picture of the American South, its inhabitants, and their mindsets.

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