Abstract
Through their discursive participation, rock musicians work to shape and reshape perceptions of identity and place. It is within these spaces that this essay considers the work of a deeply southern band, the Drive-By Truckers. Using three dimensions of Jeanne Hurlbert’s test of southern distinctiveness as overlapping lenses, the study undertakes a sociolinguistic analysis of the band’s music and history to draw a complex picture of the American South, its inhabitants, and their mindsets.