Abstract
Since the 1990s, and currently in state discourses of free-market integration, ruling Southeast Asian elites have deployed the narrative of Asian cultural ascendance – ‘Asian values’ discourse — as an explanation for Southeast Asian developmental exceptionalism. Ruling elites continue to push for a social consensus that mobilizes neoliberal capitalist subject-formation as the proper postcolonial nation-building teleology. However, my reading of the widely performed contemporary plays, Family, and Ang Tau Mui, A Modern Woman by highly acclaimed Malaysian-Chinese playwright, Leow Puay Tin, examines how the Asian values discourse is interrogated and disrupted through subaltern historiographical interventions that remember colonial-capitalist subjugation, social mobility failure and class fragmentation that are otherwise evacuated in the dominant retelling of Southeast Asian ethnic Chinese success stories.
Notes
[1] Also, within Western national contexts, there have been social constructions of ethnic Asians as ‘model minority’ (Wu Citation2013; Rothmayr Citation2014) cultural groups in contrast to white and other ethno-racial minorities.
[2] Leow Puay Tin's work has been studied in relation to its critical significance to Southeast Asian theatre (Peterson Citation2001; Diamond Citation2002) and for its influential anti-racist and gender politics (Mandal Citation2004; Philip Citation2010; Rajendra and Wee Citation2007; Ambikaipaker Citation2013).
[3] See A.J. Stockwell (Citation1982) and Daniel P.S. Goh's (Citation2008) work on the emergence of colonial state formation and race in British Malaya.