Disclosure Statement
No potential conflict of interest was reported by the authors.
Notes
1. Merril Sheils, “Why Johnny Can’t Write,” Newsweek, December 8, 1975, 58–65.
2. Henriette Valot, “Les belles infideles,” Babel XVI (1970), 117.
3. Helen Sebba, “Stuart Gilbert’s Meursault: A Strange Stranger,” Contemporary Literature XIII (1970), 334–340.
4. Eugène Ionesco, Jeux de massacre (Paris: Gallimard, ed. Le Manteau d’Arlequin, 1970), 88. All subsequent references to this edition are given in the text, preceded by “J.”
5. Eugène Ionesco, Killing Game (New York: Grove Press Inc., 1974), 91. All subsequent references to the translation are given in the text, preceded by “K.”
6. Maurice Nadeau, Histoire du surréalisme (Paris: Editions du Seuil, 1964), 197.
7. Lucien Goldmann, Le dieu caché (Paris: Gallimard, 1955).
8. André Breton, Entretiens (Paris: Gallimard, 1969), 140–141.
9. Michel Carrouges, Andre Breton and the Basic Concepts of Surrealism,translated by Maura Prendergast (The University of Alabama Press, 1974), 179–219.
10. Paul Robert, Le Petit Robert (Paris: Société du nouveau Littré, 1973), 1668.
11. Cl. Pichois et A. M. Rousseau, La Littérature comparée (Paris:Armand Colin, 1967), 48.