British Music and Literary Context: Artistic Connections in the Long Nineteenth Century

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Notes

¹ Calvin Brown, Music and Literature (Athens: University of Georgia Press, 1948); and Steven Paul Scher, Music and Text: Critical Enquiries (Cambridge: Cambridge University Press, 1992).

² See Werner Wolf, The Musicalization of Fiction: A Study in the Theory and History of Intermediality (Amsterdam/Atlanta: Rodopi, 1999), 5.

³Word and Music Studies (Amsterdam/New York: Rodopi).

⁴ Jean-Jacques Nattiez, Music and Discourse: Toward a Semiology of Music (Princeton, N.J.: Princeton University Press, 1990); and Carolyn Abbate, Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton, N.J.: Princeton University Press, 1991).

⁵ Wolf, The Musicalization of Fiction, 12–15.

⁶Ibid., 3.

⁷Ibid., 3.

⁸ See an excellent discussion of this phenomenon in Regula Hohl Trillini, The Gaze of the Listener: English Representations of Domestic Music-Making (Amsterdam/New York: Rodopi, 2008).

⁹ Alisa Clapp-Itnyre, Angelic Airs, Subversive Songs: Music as Social Discourse in the Victorian Novel (Athens: Ohio University Press, 2002), xxii–iii.

¹⁰ Delia da Sousa Correa, George Eliot, Music and Victorian Culture (Basingstoke: Palgrave Macmillan, 2003), 5.

¹¹Ibid., 5

¹² Percy Young, ‘George Eliot and Music’, Music and Letters 24 (1943), 99.

¹³ Clapp-Itnyre, Angelic Airs, Subversive Songs, xxi.

¹⁴ da Sousa Correa, George Eliot, 7.

¹⁵ Herbert Spencer, Essays: Scientific, Political, and Speculative, vol. 1 (London: Longman, 1858), 16–17.

¹⁶Ibid., 17.

¹⁷ da Sousa Correa, George Eliot, 20.

¹⁸ See Paula Gillett, Musical Women in England, 1870–1914 (Basingstoke: Palgrave Macmillan, 2000).

¹⁹Ibid., 180.

²⁰ da Sousa Correa, George Eliot, 7.

²¹ Isobel Armstrong, Victorian Poetry: Poetry, Poetics and Politics (London and New York: Routledge, 1993), 288.

²² Edward T. Cone. The Composer's Voice (Berkeley: University of California Press, 1974), 16–18.

²³ Edward Bulwer-Lytton, A Strange Story (London: Sampson Low, 1862).

²⁴Ibid., 222.

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Michael Halliwell

Michael Halliwell studied at the London Opera Centre and with Tito Gobbi, singing over fifty major operatic roles in Europe and North America, and has released several CDs. He has published widely in the field of music and literature including, Opera and the Novel (Rodopi, 2005), and Myths of National Identity in Contemporary Australian Opera (Ashgate, 2015). He is Vice President of The International Association for Word and Music Studies. He has served as Chair of Vocal Studies and Opera, Pro-Dean and Head of School, and Associate Dean (Research) at the Sydney Conservatorium of Music. Email: [email protected]

© 2014, Michael Halliwell