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Notes
1 Eric Blom, ‘Review of Books’, Music & Letters 37/2 (1956), 177–8.
2 Steven Huebner, French Opera at the Fin de Siècle: Wagnerism, Nationalism, and Style (Oxford: Oxford University Press, 1999).
3 Ralph Scott Grover, Ernest Chausson: The Man and his Music (London: Athlone, 1980).
4 Jean-Pierre Barricelli and Leo Weinstein, Ernest Chausson: The Composer's Life and Works (Norman: University of Oklahoma Press, 1955).
5 Martin Cooper, French Music from the Death of Berlioz to the Death of Fauré (Oxford: Oxford University Press, 1951), 66.
6 Léon Daudet, Devant la douleur: Souvenirs des Milieux Littéraires, Politiques, Artistiques et Médicaux de 1880 à 1905 (Paris: Nouvelle Librairie Nationale, 1915), p. 279.
7 Annegret Fauser, ‘“Wagnerism”: Responses to Wagner in Music and the Arts’, in The Cambridge Companion to Wagner, ed. Thomas S. Grey (Cambridge: Cambridge University Press, 2008), 222.
8 Cécile Leblanc, Wagnérisme et création en France, 1883–1889 (Paris: H. Champion, 2005), 460.
9 Louis de Fourcaud, ‘Richard Wagner et l'opéra français’, in Bayreuther Festblätter in Wort und Bild (Munich: Allgemeiner Richard-Wagner-Verein, 1884), 42.
10 Yves Gérard, ‘Lettres de Henri Duparc à Ernest Chausson (1883–1899)’, Revue de Musicologie, 38/114 (1956), 125–46.
Additional information
Notes on contributors
Robert J. Stove
Robert J. Stove, author of César Franck: His Life and Times (Lanham, Md.: Scarecrow Press, 2012), is an Adjunct Research Associate at Monash University, Australia and a regular organist at two Melbourne churches.